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I have so strong a sense of creation, of tomorrow, that I cannot get drunk, knowing I will be less alive, less well, less creative the next day.

Anais Nin

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Anais Nin
Age: 73 †
Born: 1903
Born: February 21
Died: 1977
Died: January 14
Author
Autobiographer
Diarist
Novelist
Screenwriter
Writer
Neuilly
Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell
Anais Nin
Cannot
Creation
Wells
Alive
Well
Knowing
Creative
Less
Strong
Sense
Drunk
Next
Tomorrow

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Keeping a Diary all my life helped me to discover some basic elements essential to the vitality of writing.
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We have been poisoned by fairy tales.
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At first she beckoned and lured one into her world then, she blurred the passageways, confused all the images, as if to elude detection.
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There is a resemblance between men and women, not a contrast. When a man begins to recognize his feeling, the two unite. When men accept the sensitive side of themselves, they come alive.
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We see the world as 'we' are, not as 'it' is because it is the I behind the 'eye' that does the seeing.
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But I lie. I embellish. My words are not deep enough. They disguise, they conceal. I will not rest until I have told of my descent into a sensuality which was as dark, as magnificent, as wild, as my moments of mystic creation have been dazzling, ecstatic, exalted.
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Write. Write until it stops hurting.
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The poet is one who is able to keep the fresh vision of the child alive.
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She was fully, painfully aware that very rarely did midnight strike in two hearts at once, very rarely did midnight arouse two different equal desires, and that any dislocation in this, any indifference, was an indication of disunity, of the difficulties, the impossibilities of fusion between two human beings.
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What everyone forgets is that passion is not merely a heightened sensual fusion but a way of life which produces, as in the mystics, an ecstatic awareness of the whole of life.
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The important task of literature is to free man, not to censor him, and that is why Puritanism was the most destructive and evil force which ever oppressed people and their literature: it created hypocrisy, perversion, fears, sterility.
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Now that I am moving, I am afraid. Where am I going?
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It is easy to love and there are so many ways to do it.
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There were always in me, two women at least, one woman desperate and bewildered, who felt she was drowning and another who would leap into a scene, as upon a stage, conceal her true emotions because they were weaknesses, helplessness, despair, and present to the world only a smile, an eagerness, curiosity, enthusiasm, interest.
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In music I feel most deeply the passing of things.
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Either one fails in one's art or in one's life.
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I often see how you sob over what you destroy, how you want to stop and just worship and you do stop, and then a moment later you are at it again with a knife, like a surgeon.
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The dangerous time when mechanical voices, radios, telephones, take the place of human intimacies, and the concept of being in touch with millions brings a greater and greater poverty in intimacy and human vision.
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I am a failure as a writer. The publishers won't publish me, the bookshops won't carry my books, the critics won't write about me. I am excluded from all anthologies, and completely ignored.
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We are never trapped unless we choose to be.
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