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The diary taught me that it is in the moments of emotional crisis that human beings reveal themselves most accurately. I learned to choose the heightened moments because they are the moments of revelation.

Anais Nin

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Anais Nin
Age: 73 †
Born: 1903
Born: February 21
Died: 1977
Died: January 14
Author
Autobiographer
Diarist
Novelist
Screenwriter
Writer
Neuilly
Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell
Anais Nin
Human
Revelations
Humans
Crisis
Heightened
Beings
Diary
Emotional
Accurately
Choose
Diaries
Learned
Journal
Taught
Revelation
Moments
Reveal

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Women always think that when they have my shoes, my dress, my hairdresser, my makeup, it will all work the same way. They do not conceive of the witchcraft that is needed. They do not know that I am not beautiful but that I only appear to be at certain moments.
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At a lecture I am asked to pronounce my name three times. I try to be slow and emphatic, Anaïs - Anaïs - Anaïs. You just say Anna and then add ees, with the accent on the ees.
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I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go.
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It is difficult to live with the pure. They do not condemn you they forgive you. This forgiveness is more terrible than a judgment.
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Balance is not to be sought by association with others it must exist within one's self.
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You carry away with you a reflection of me, a part of me. I dreamed you I wished for your existence. You will always be a part of my life. If I love you, it must be because we shared, at some moment, the same imaginings, the same madness, the same stage.
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Beware of allowing a tactless word, a rebuttal, a rejection to obliterate the whole sky
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To write at the same temperature at which I live I should write nothing but poetry.
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[On Paris:] A city never entirely known, yet which gives you the feeling of intimacy, of possessing it intimately.
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The dream has to be translated into reality.
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I walked into my own book, seeking peace. It was night, and I made a careless movement inside the dream I turned too brusquely the corner and I bruised myself against my madness.
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I don't tell the truth any more to those who can't make use of it. I tell it mostly to myself, because it always changes me.
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Life, religion and art all converge in Bali. They have no word in their language for 'artist' or 'art.' Everyone is an artist.
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If a person continues to see only giants, it means he is still seeing the world through the eyes of a child. I have a feeling that man's fear of woman comes from having first seen her as the mother, creator of men.
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There is an ugliness in being paid for work one does not like.
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The leaf fall of his words, the stained glass hues of his moods, the rust in his voice, the smoke in his mouth, his breath on my vision like human breath blinding a mirror.
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In New York the acoustics are good for laughter, for life is all external, all action, no thought, no meditation, no dreaming, no reflection, only the exuberance of action.
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The dangerous time when mechanical voices, radios, telephones, take the place of human intimacies, and the concept of being in touch with millions brings a greater and greater poverty in intimacy and human vision.
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I prefer empty cages, Sabina, until I find a unique bird I once saw in my dreams.
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In chaos, there is fertility.
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