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We sit on the kitchen exchanging these diabolical outgrowths of overfertile minds.

Anais Nin

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Anais Nin
Age: 73 †
Born: 1903
Born: February 21
Died: 1977
Died: January 14
Author
Autobiographer
Diarist
Novelist
Screenwriter
Writer
Neuilly
Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell
Anais Nin
Diabolical
Exchanging
Kitchen
Minds
Mind

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The secret of life was Breath. That was what I always wanted my words to do, to Breathe.
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In New York the acoustics are good for laughter, for life is all external, all action, no thought, no meditation, no dreaming, no reflection, only the exuberance of action.
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We write to taste life twice, in the moment, and in retrospection.
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Sometimes we reveal ourselves when we are least like ourselves.
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We must protect the minority writers because they are the research workers of literature. They keep it alive. It has been fashionable of late to seek out and force such writers into more popular channels, to the detriment of both writer and an unprepared public.
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Each contact with a human being is so rare, so precious, one should preserve it.
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Most artists have retired too absolutely they grow rusty, inflexible to the flow of currents.
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My mission, should I choose to accept it, is to find peace with exactly who and what I am. To take pride in my thoughts, my appearance, my talents, my flaws and to stop this incessant worrying that I can’t be loved as I am.
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What can I do with my happiness? How can I keep it, conceal it, bury it where I may never lose it? I want to kneel as it falls over me like rain, gather it up with lace and silk, and press it over myself again.
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The body is an instrument which only gives off music when it is used as a body. Always an orchestra, and just as music traverses walls, so sensuality traverses the body and reaches up to ecstasy.
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I want to fall in love in such a way that the mere sight of a man, even a block away from me, will shake and pierce me, will weaken me, and make me tremble and soften and melt.
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My life is not possible to tell. I change every day, change my patterns, my concepts, my interpretations. I am a series of moods and sensations. I play a thousand roles. I weep when I find others play them for me. My real self is unknown. My work is merely an essence of this vast and deep adventure.
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There is an ugliness in being paid for work one does not like.
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Someone told me the delightful story of the crusader who put a chastity belt on his wife and gave the key to his best friend for safekeeping, in case of his death. He had ridden only a few miles away when his friend, riding hard, caught up with him, saying 'You gave me the wrong key!
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Travel is seeking the lost paradise. It is the supreme illusion of love.
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I love the abstract, delicate, profound, vague, voluptuously wordless sensation of living ecstatically.
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I postpone death by living, by suffering, by error, by risking, by giving, by losing.
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You have a right to experiment with your life. You will make mistakes. And they are right too.
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The way to recognize a dead word is that it exudes boredom.
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We are cruel when someone refuses to play the role in which we have cast him. We judge a person only according to his relationship towards us.
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