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The obstacle became his alibi for weakness.

Anais Nin

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Anais Nin
Age: 73 †
Born: 1903
Born: February 21
Died: 1977
Died: January 14
Author
Autobiographer
Diarist
Novelist
Screenwriter
Writer
Neuilly
Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell
Anais Nin
Alibi
Obstacle
Obstacles
Weakness
Became

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When I hear of people who weary of each other, I believe it is because they have sought virtues in themselves alone, attractions of physical beauty. Have they based their love on each other's thoughts? Who can weary of thoughts which change every day?
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The ivory tower of the artist may be the only stronghold left for human values, cultural treasures, man’s cult of beauty.
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New York seems conducted by jazz, animated by it. It is essentially a city of rhythm.
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The two men who have done the greatest harm to the world are Christ and Columbus. Christ taught us guilt and sacrifice, to live only in the other world, and Columbus discovered America and materialism.
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Human beings can reach such desperate solitude that they may cross a boundary beyond which words cannot serve, and at such moments there is nothing left for them but to bark.
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Idealism is the death of the body and the imagination. All but freedom, utter freedom, is death
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Self-destructive patterns cause as much suffering as outer catastrophes.
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Pain is something to master, not to wallow in.
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We cannot cure the evils of politics with politics.
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Anxiety is loves greatest killer.
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Analysis does not take into account the creative products of neurotic desires.
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One discovers that destiny can be diverted, that one does not have to remain in bondage to the first wax imprint made on childhood sensibilities. Once the deforming mirror has been smashed, there is a possibility of wholeness. There is a possibility of joy.
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Art is the method of levitation, in order to separate one's self from enslavement by the earth.
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There are many ways to be free. One of them is to transcend reality by imagination, as I try to do.
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I am like a snake who has already bitten. I retreat from a direct battle while knowing the slow effect of the poison.
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I gathered poets around me and we all wrote beautiful erotica. As we were condemned to focus only on sensuality, we had violent explosions of poetry. Writing erotica became a road to sainthood rather than to debauchery.
Anais Nin
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He understands my pity for his ridiculous, humiliating physical necessity.
Anais Nin
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Eroticism is one of the basic means of self-knowledge, as indispensable as poetry.
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That is my essential reason for writing, not for fame, not to be celebrated after death, but to heighten and create life all around me. I also write because when I am writing I reach the high moment of fusion sought by the mystics, the poets, the lovers, a sense of communion with the universe.
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When I stand at the top of the Champs-Elysées, with its chestnut trees in flower, its undulations of shining cars, its white spaciousness, I feel as if I were biting into a utopian fruit, something velvety and lustrous and rich and vivid.
Anais Nin