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Anxiety is love's greatest killer. It makes others feel as you might when a drowning man holds on to you. You want to save him, but you know he will strangle you with his panic.

Anais Nin

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Anais Nin
Age: 73 †
Born: 1903
Born: February 21
Died: 1977
Died: January 14
Author
Autobiographer
Diarist
Novelist
Screenwriter
Writer
Neuilly
Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell
Anais Nin
Feels
Save
Strangling
Men
Marriage
Strangle
Love
Worry
Killer
Life
Greatest
Drowning
Makes
Killers
Others
Panic
Might
Holds
Feel
Anxiety

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You fall in love with people's minds.
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I want to do things so wild with you that I don't know how to say them.
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Your eyes make me shy
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Solitude may rust your words.
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To mistake ugliness for reality is one of the frauds of the realistic school [of writing]. A hunger for the unknown and an aspiration toward beauty were inseparable from civilization. In America the word art was distorted to mean artificial.
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The leaf fall of his words, the stained glass hues of his moods, the rust in his voice, the smoke in his mouth, his breath on my vision like human breath blinding a mirror.
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In New York the acoustics are good for laughter, for life is all external, all action, no thought, no meditation, no dreaming, no reflection, only the exuberance of action.
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Convalescence. Such an utter weakness that you lie like an animal hibernating, playing possum. You float. You are adrift. Every current is stronger than you.
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She lacks confidence, she craves admiration insatiably. She lives on the reflections of herself in the eyes of others. She does not dare to be herself.
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You must not fear, hold back, count or be a miser with your thoughts and feelings. It is also true that creation comes from an overflow, so you have to learn to intake, to imbibe, to nourish yourself and not be afraid of fullness. The fullness is like a tidal wave which then carries you, sweeps you into experience and into writing.
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I believe the lasting revolution comes from deep changes in ourselves which influence our collective life.
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There were always in me, two women at least, one woman desperate and bewildered, who felt she was drowning and another who would leap into a scene, as upon a stage, conceal her true emotions because they were weaknesses, helplessness, despair, and present to the world only a smile, an eagerness, curiosity, enthusiasm, interest.
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It is a sign of great inner insecurity to be hostile to the unfamiliar.
Anais Nin
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With her eyes alone she could give this response, this absolutely erotic response, as if febrile waves were trembling there, pools of madness... something devouring that could lick a man all over like a flame, annihilate him, with a pleasure never known before.
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The richest source of creation is feeling, followed by a vision of its meaning.
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I'm restless. Things are calling me away. My hair is being pulled by the stars again. ANAÏS NIN, Fire: From A Journal of Love The Unexpurgated Diary of Anaïs Nin, 1934-1938 For me, the adventures of the mind, each inflection of thought, each movement, nuance, growth, discovery, is a source of exhilaration.
Anais Nin
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Warmth, perfume, rugs, soft lights, books. They do not appease me. I am aware of time passing, of all the world contains that I have not seen, of all the interesting people I have not met.
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There are books which we read early in life, which sink into our consciousness and seem to disappear without leaving a trace. And then one day we find, in some summing-up of our life and put attitudes towards experience, that their influence has been enormous.
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Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds it dies of weariness, of witherings, of tarnishings.
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You cannot save people. You can only love them.
Anais Nin