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While researching 'The Submission,' I went to a protest against the Ground Zero mosque in New York when I was about to give birth to twins. It was about 100 degrees. People thought I was very dedicated.

Amy Waldman

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Amy Waldman
Age: 55
Born: 1969
Born: May 21
Author
Journalist
Writer
the United States of America
Give
Dedicated
Giving
Zero
People
Degrees
Researching
Ground
Mosque
York
Mosques
Birth
Submission
Went
Twins
Thought
Protest

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Perhaps this was the secret to being at peace: want nothing but what is given to you.
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In Germany, you have a huge official memorial to the murdered Jews and then you have this artist who's been putting these stumbling blocks, these brass cobblestones, outside the houses Jews were taken away from. It's somewhat controversial and has met some resistance.
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I think in the wake of 9/11, like a lot of Americans, you know, we were all very traumatized by the attacks, traumatized in a totally different way by some of what happened afterward in response. And I think there have been these questions hovering in the past decade of, what kind of country are we? Who are we?
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Eden, paradise - all the best gardens are imaginary.
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There were in life rarely, if ever, right decisions, never perfect ones, only the best to be made under the circumstances.
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As a novelist, you deepen your characters as you go, adding layers. As a reporter, you try to peel layers away: observing subjects enough to get beneath the surface, re-questioning a source to find the facts. But these processes aren't so different.
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Over the centuries, and even today, the Bible and Christian theology have helped justify the Crusades, slavery, violence against gays, and the murder of doctors who perform abortions. The words themselves are latent, inert, harmless - until they aren't.
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Religious speech is extreme, emotional, and motivational. It is anti-literal, relying on metaphor, allusion, and other rhetorical devices, and it assumes knowledge within a community of believers.
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[s]he was a compulsive pessimist, always looking for the soft brown spot in the fruit, pressing so hard she created it.
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I'm kind of a mash-up of taste - Graham Greene and Jane Austen W.G. Sebald and Alice Munro.
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In life, redemption was walking up the down escalator: stop to congratulate yourself, and back you slid.
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And as journalists we look for differences - differences between countries, cultures, classes, and communities. We're very sensitized to difference, but it's much harder to write about similarities across countries, cultures, classes, and communities.
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I wasn't sitting around years ago thinking I really want to write a novel.
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Work less than you think you should. It took me a while to realise there was a point each day when my creativity ran out and I was just producing words - usually lousy ones - for their own sake. And nap: it helps to refresh the brain, at least mine.
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My children, who are almost two: watching them develop has made me pay much closer attention to how we become who we are.
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I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels.
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I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
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Fabricating reality was criminal editing it, commonplace.
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Sorrow can be a bully.
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My parents are aging and there are difficult issues. It's strange to have children at the beginning of life and parents nearing the end.
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