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So the premise of 'The Submission' is that there's an anonymous competition to design a 9/11 memorial and it's won by an American Muslim, an architect born and raised in Virginia, and his name is Mohammad Khan.

Amy Waldman

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Amy Waldman
Age: 55
Born: 1969
Born: May 21
Author
Journalist
Writer
the United States of America
Memorial
Name
Virginia
Names
Submission
American
Architect
Born
Muslim
Khan
Competition
Premise
Raised
Anonymous
Premises
Design

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And as journalists we look for differences - differences between countries, cultures, classes, and communities. We're very sensitized to difference, but it's much harder to write about similarities across countries, cultures, classes, and communities.
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Imagination, it turns out, is a great deal like reporting in your own head. Here is a paradox of fiction-writing. You are crafting something from nothing, which means, in one sense, that none of it is true. Yet in the writing, and perhaps in the reading, some of a character's actions or lines are truer than others.
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My children, who are almost two: watching them develop has made me pay much closer attention to how we become who we are.
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The September 11, 2001, attacks on the World Trade Center and the Pentagon prompted a fundamental shift in the American government's approach to Islamic terrorism.
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I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels.
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Religious speech is extreme, emotional, and motivational. It is anti-literal, relying on metaphor, allusion, and other rhetorical devices, and it assumes knowledge within a community of believers.
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I'm kind of a mash-up of taste - Graham Greene and Jane Austen W.G. Sebald and Alice Munro.
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I think in the wake of 9/11, like a lot of Americans, you know, we were all very traumatized by the attacks, traumatized in a totally different way by some of what happened afterward in response. And I think there have been these questions hovering in the past decade of, what kind of country are we? Who are we?
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There were in life rarely, if ever, right decisions, never perfect ones, only the best to be made under the circumstances.
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Sorrow can be a bully.
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In life, redemption was walking up the down escalator: stop to congratulate yourself, and back you slid.
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[s]he was a compulsive pessimist, always looking for the soft brown spot in the fruit, pressing so hard she created it.
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In Germany, you have a huge official memorial to the murdered Jews and then you have this artist who's been putting these stumbling blocks, these brass cobblestones, outside the houses Jews were taken away from. It's somewhat controversial and has met some resistance.
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My parents are aging and there are difficult issues. It's strange to have children at the beginning of life and parents nearing the end.
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Nothing in life gets dropped without someone else having to pick it up.
Amy Waldman
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Fiction just has a lot more room for ambivalence and internal conflict, contradiction, and for me that sums up so much of what people felt after 9/11 - confusion even. And I think that's hard to capture in journalism.
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Fabricating reality was criminal editing it, commonplace.
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In America time was gold in Bangladesh, corrugated tin.
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Eden, paradise - all the best gardens are imaginary.
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Perhaps this was the secret to being at peace: want nothing but what is given to you.
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