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I found 'The Twin' sitting on a coffee table at a writers' colony in 2009. It carried praise from J.M. Coetzee. That seemed ample justification for using it to avoid my own writing. I finished it - weeping - a day later, and I've been puzzling over its powerful hold on me ever since.

Amy Waldman

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Amy Waldman
Age: 55
Born: 1969
Born: May 21
Author
Journalist
Writer
the United States of America
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Coetzee

More quotes by Amy Waldman

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I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels.
Amy Waldman
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I think in the wake of 9/11, like a lot of Americans, you know, we were all very traumatized by the attacks, traumatized in a totally different way by some of what happened afterward in response. And I think there have been these questions hovering in the past decade of, what kind of country are we? Who are we?
Amy Waldman
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As a reporter you tend to seek coherence from your subject or your source - it all needs to add up and make sense. In truth, in reality, there's often a great deal of murkiness and muddiness, confusion and contradiction.
Amy Waldman
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History is the history of human behavior, and human behavior is the raw material of fiction. Most people recognize that novelists do research to get the facts right - how a glove factory works, for example, or how courtesans in imperial Japan dressed.
Amy Waldman
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Imagination, it turns out, is a great deal like reporting in your own head. Here is a paradox of fiction-writing. You are crafting something from nothing, which means, in one sense, that none of it is true. Yet in the writing, and perhaps in the reading, some of a character's actions or lines are truer than others.
Amy Waldman
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There were in life rarely, if ever, right decisions, never perfect ones, only the best to be made under the circumstances.
Amy Waldman
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Nothing in life gets dropped without someone else having to pick it up.
Amy Waldman
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As a novelist, you deepen your characters as you go, adding layers. As a reporter, you try to peel layers away: observing subjects enough to get beneath the surface, re-questioning a source to find the facts. But these processes aren't so different.
Amy Waldman
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While researching 'The Submission,' I went to a protest against the Ground Zero mosque in New York when I was about to give birth to twins. It was about 100 degrees. People thought I was very dedicated.
Amy Waldman
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So the premise of 'The Submission' is that there's an anonymous competition to design a 9/11 memorial and it's won by an American Muslim, an architect born and raised in Virginia, and his name is Mohammad Khan.
Amy Waldman
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Religious speech is extreme, emotional, and motivational. It is anti-literal, relying on metaphor, allusion, and other rhetorical devices, and it assumes knowledge within a community of believers.
Amy Waldman
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In architecture, space was a material to be shaped, even created. For these men, the material was silence. Silence like water in which you could drown, the absence of talk as constricting as the absence of air.
Amy Waldman
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Perhaps this was the secret to being at peace: want nothing but what is given to you.
Amy Waldman
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My children, who are almost two: watching them develop has made me pay much closer attention to how we become who we are.
Amy Waldman
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I wasn't sitting around years ago thinking I really want to write a novel.
Amy Waldman
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Sorrow can be a bully.
Amy Waldman
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I'm kind of a mash-up of taste - Graham Greene and Jane Austen W.G. Sebald and Alice Munro.
Amy Waldman
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In life, redemption was walking up the down escalator: stop to congratulate yourself, and back you slid.
Amy Waldman
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I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
Amy Waldman
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Fiction just has a lot more room for ambivalence and internal conflict, contradiction, and for me that sums up so much of what people felt after 9/11 - confusion even. And I think that's hard to capture in journalism.
Amy Waldman