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Fiction just has a lot more room for ambivalence and internal conflict, contradiction, and for me that sums up so much of what people felt after 9/11 - confusion even. And I think that's hard to capture in journalism.
Amy Waldman
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Amy Waldman
Age: 55
Born: 1969
Born: May 21
Author
Journalist
Writer
the United States of America
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Internals
Fiction
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More quotes by Amy Waldman
While researching 'The Submission,' I went to a protest against the Ground Zero mosque in New York when I was about to give birth to twins. It was about 100 degrees. People thought I was very dedicated.
Amy Waldman
Sorrow can be a bully.
Amy Waldman
In America time was gold in Bangladesh, corrugated tin.
Amy Waldman
I'm kind of a mash-up of taste - Graham Greene and Jane Austen W.G. Sebald and Alice Munro.
Amy Waldman
Nothing in life gets dropped without someone else having to pick it up.
Amy Waldman
I found 'The Twin' sitting on a coffee table at a writers' colony in 2009. It carried praise from J.M. Coetzee. That seemed ample justification for using it to avoid my own writing. I finished it - weeping - a day later, and I've been puzzling over its powerful hold on me ever since.
Amy Waldman
So the premise of 'The Submission' is that there's an anonymous competition to design a 9/11 memorial and it's won by an American Muslim, an architect born and raised in Virginia, and his name is Mohammad Khan.
Amy Waldman
Jealousy clings to love's underside like bats to a bridge.
Amy Waldman
I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels.
Amy Waldman
And as journalists we look for differences - differences between countries, cultures, classes, and communities. We're very sensitized to difference, but it's much harder to write about similarities across countries, cultures, classes, and communities.
Amy Waldman
I wasn't sitting around years ago thinking I really want to write a novel.
Amy Waldman
History is the history of human behavior, and human behavior is the raw material of fiction. Most people recognize that novelists do research to get the facts right - how a glove factory works, for example, or how courtesans in imperial Japan dressed.
Amy Waldman
Over the centuries, and even today, the Bible and Christian theology have helped justify the Crusades, slavery, violence against gays, and the murder of doctors who perform abortions. The words themselves are latent, inert, harmless - until they aren't.
Amy Waldman
[s]he was a compulsive pessimist, always looking for the soft brown spot in the fruit, pressing so hard she created it.
Amy Waldman
There were in life rarely, if ever, right decisions, never perfect ones, only the best to be made under the circumstances.
Amy Waldman
Imagination, it turns out, is a great deal like reporting in your own head. Here is a paradox of fiction-writing. You are crafting something from nothing, which means, in one sense, that none of it is true. Yet in the writing, and perhaps in the reading, some of a character's actions or lines are truer than others.
Amy Waldman
In life, redemption was walking up the down escalator: stop to congratulate yourself, and back you slid.
Amy Waldman
Eden, paradise - all the best gardens are imaginary.
Amy Waldman
As a reporter you tend to seek coherence from your subject or your source - it all needs to add up and make sense. In truth, in reality, there's often a great deal of murkiness and muddiness, confusion and contradiction.
Amy Waldman
Fabricating reality was criminal editing it, commonplace.
Amy Waldman
