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I'm kind of a mash-up of taste - Graham Greene and Jane Austen W.G. Sebald and Alice Munro.
Amy Waldman
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Amy Waldman
Age: 55
Born: 1969
Born: May 21
Author
Journalist
Writer
the United States of America
Graham
Austen
Alice
Jane
Taste
Kind
Munro
Greene
Mash
More quotes by Amy Waldman
The rhetoric is the first step, it coarsens attitudes
Amy Waldman
As a novelist, you deepen your characters as you go, adding layers. As a reporter, you try to peel layers away: observing subjects enough to get beneath the surface, re-questioning a source to find the facts. But these processes aren't so different.
Amy Waldman
Perhaps this was the secret to being at peace: want nothing but what is given to you.
Amy Waldman
And as journalists we look for differences - differences between countries, cultures, classes, and communities. We're very sensitized to difference, but it's much harder to write about similarities across countries, cultures, classes, and communities.
Amy Waldman
Jealousy clings to love's underside like bats to a bridge.
Amy Waldman
As a reporter you tend to seek coherence from your subject or your source - it all needs to add up and make sense. In truth, in reality, there's often a great deal of murkiness and muddiness, confusion and contradiction.
Amy Waldman
Over the centuries, and even today, the Bible and Christian theology have helped justify the Crusades, slavery, violence against gays, and the murder of doctors who perform abortions. The words themselves are latent, inert, harmless - until they aren't.
Amy Waldman
In Germany, you have a huge official memorial to the murdered Jews and then you have this artist who's been putting these stumbling blocks, these brass cobblestones, outside the houses Jews were taken away from. It's somewhat controversial and has met some resistance.
Amy Waldman
So the premise of 'The Submission' is that there's an anonymous competition to design a 9/11 memorial and it's won by an American Muslim, an architect born and raised in Virginia, and his name is Mohammad Khan.
Amy Waldman
I think in the wake of 9/11, like a lot of Americans, you know, we were all very traumatized by the attacks, traumatized in a totally different way by some of what happened afterward in response. And I think there have been these questions hovering in the past decade of, what kind of country are we? Who are we?
Amy Waldman
Nothing in life gets dropped without someone else having to pick it up.
Amy Waldman
In America time was gold in Bangladesh, corrugated tin.
Amy Waldman
There were in life rarely, if ever, right decisions, never perfect ones, only the best to be made under the circumstances.
Amy Waldman
I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
Amy Waldman
Fabricating reality was criminal editing it, commonplace.
Amy Waldman
[s]he was a compulsive pessimist, always looking for the soft brown spot in the fruit, pressing so hard she created it.
Amy Waldman
In architecture, space was a material to be shaped, even created. For these men, the material was silence. Silence like water in which you could drown, the absence of talk as constricting as the absence of air.
Amy Waldman
My children, who are almost two: watching them develop has made me pay much closer attention to how we become who we are.
Amy Waldman
Fiction just has a lot more room for ambivalence and internal conflict, contradiction, and for me that sums up so much of what people felt after 9/11 - confusion even. And I think that's hard to capture in journalism.
Amy Waldman
Imagination, it turns out, is a great deal like reporting in your own head. Here is a paradox of fiction-writing. You are crafting something from nothing, which means, in one sense, that none of it is true. Yet in the writing, and perhaps in the reading, some of a character's actions or lines are truer than others.
Amy Waldman