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Religious speech is extreme, emotional, and motivational. It is anti-literal, relying on metaphor, allusion, and other rhetorical devices, and it assumes knowledge within a community of believers.
Amy Waldman
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Amy Waldman
Age: 55
Born: 1969
Born: May 21
Author
Journalist
Writer
the United States of America
Religious
Anti
Rhetorical
Community
Extremes
Relying
Knowledge
Believer
Assumes
Assuming
Believers
Speech
Literal
Emotional
Devices
Motivational
Metaphor
Within
Extreme
Allusion
More quotes by Amy Waldman
The September 11, 2001, attacks on the World Trade Center and the Pentagon prompted a fundamental shift in the American government's approach to Islamic terrorism.
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Nothing in life gets dropped without someone else having to pick it up.
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[s]he was a compulsive pessimist, always looking for the soft brown spot in the fruit, pressing so hard she created it.
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There were in life rarely, if ever, right decisions, never perfect ones, only the best to be made under the circumstances.
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So the premise of 'The Submission' is that there's an anonymous competition to design a 9/11 memorial and it's won by an American Muslim, an architect born and raised in Virginia, and his name is Mohammad Khan.
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I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
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Sorrow can be a bully.
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I'm kind of a mash-up of taste - Graham Greene and Jane Austen W.G. Sebald and Alice Munro.
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Fabricating reality was criminal editing it, commonplace.
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As a reporter you tend to seek coherence from your subject or your source - it all needs to add up and make sense. In truth, in reality, there's often a great deal of murkiness and muddiness, confusion and contradiction.
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In America time was gold in Bangladesh, corrugated tin.
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Eden, paradise - all the best gardens are imaginary.
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I wasn't sitting around years ago thinking I really want to write a novel.
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History is the history of human behavior, and human behavior is the raw material of fiction. Most people recognize that novelists do research to get the facts right - how a glove factory works, for example, or how courtesans in imperial Japan dressed.
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In life, redemption was walking up the down escalator: stop to congratulate yourself, and back you slid.
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Jealousy clings to love's underside like bats to a bridge.
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Over the centuries, and even today, the Bible and Christian theology have helped justify the Crusades, slavery, violence against gays, and the murder of doctors who perform abortions. The words themselves are latent, inert, harmless - until they aren't.
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In architecture, space was a material to be shaped, even created. For these men, the material was silence. Silence like water in which you could drown, the absence of talk as constricting as the absence of air.
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My parents are aging and there are difficult issues. It's strange to have children at the beginning of life and parents nearing the end.
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Imagination, it turns out, is a great deal like reporting in your own head. Here is a paradox of fiction-writing. You are crafting something from nothing, which means, in one sense, that none of it is true. Yet in the writing, and perhaps in the reading, some of a character's actions or lines are truer than others.
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