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Religious speech is extreme, emotional, and motivational. It is anti-literal, relying on metaphor, allusion, and other rhetorical devices, and it assumes knowledge within a community of believers.
Amy Waldman
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Amy Waldman
Age: 55
Born: 1969
Born: May 21
Author
Journalist
Writer
the United States of America
Assuming
Believers
Speech
Literal
Emotional
Devices
Motivational
Metaphor
Within
Extreme
Allusion
Religious
Anti
Rhetorical
Community
Extremes
Relying
Knowledge
Believer
Assumes
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Fabricating reality was criminal editing it, commonplace.
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The September 11, 2001, attacks on the World Trade Center and the Pentagon prompted a fundamental shift in the American government's approach to Islamic terrorism.
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And as journalists we look for differences - differences between countries, cultures, classes, and communities. We're very sensitized to difference, but it's much harder to write about similarities across countries, cultures, classes, and communities.
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In Germany, you have a huge official memorial to the murdered Jews and then you have this artist who's been putting these stumbling blocks, these brass cobblestones, outside the houses Jews were taken away from. It's somewhat controversial and has met some resistance.
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In architecture, space was a material to be shaped, even created. For these men, the material was silence. Silence like water in which you could drown, the absence of talk as constricting as the absence of air.
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I found 'The Twin' sitting on a coffee table at a writers' colony in 2009. It carried praise from J.M. Coetzee. That seemed ample justification for using it to avoid my own writing. I finished it - weeping - a day later, and I've been puzzling over its powerful hold on me ever since.
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Over the centuries, and even today, the Bible and Christian theology have helped justify the Crusades, slavery, violence against gays, and the murder of doctors who perform abortions. The words themselves are latent, inert, harmless - until they aren't.
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In America time was gold in Bangladesh, corrugated tin.
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The rhetoric is the first step, it coarsens attitudes
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I wasn't sitting around years ago thinking I really want to write a novel.
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Fiction just has a lot more room for ambivalence and internal conflict, contradiction, and for me that sums up so much of what people felt after 9/11 - confusion even. And I think that's hard to capture in journalism.
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Sorrow can be a bully.
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My children, who are almost two: watching them develop has made me pay much closer attention to how we become who we are.
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In life, redemption was walking up the down escalator: stop to congratulate yourself, and back you slid.
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There were in life rarely, if ever, right decisions, never perfect ones, only the best to be made under the circumstances.
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Perhaps this was the secret to being at peace: want nothing but what is given to you.
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So the premise of 'The Submission' is that there's an anonymous competition to design a 9/11 memorial and it's won by an American Muslim, an architect born and raised in Virginia, and his name is Mohammad Khan.
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[s]he was a compulsive pessimist, always looking for the soft brown spot in the fruit, pressing so hard she created it.
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Jealousy clings to love's underside like bats to a bridge.
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I'm kind of a mash-up of taste - Graham Greene and Jane Austen W.G. Sebald and Alice Munro.
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