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In architecture, space was a material to be shaped, even created. For these men, the material was silence. Silence like water in which you could drown, the absence of talk as constricting as the absence of air.
Amy Waldman
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Amy Waldman
Age: 55
Born: 1969
Born: May 21
Author
Journalist
Writer
the United States of America
Space
Architecture
Water
Absence
Even
Material
Men
Materials
Like
Air
Created
Constricting
Silence
Drown
Talk
Shaped
More quotes by Amy Waldman
In life, redemption was walking up the down escalator: stop to congratulate yourself, and back you slid.
Amy Waldman
Fiction just has a lot more room for ambivalence and internal conflict, contradiction, and for me that sums up so much of what people felt after 9/11 - confusion even. And I think that's hard to capture in journalism.
Amy Waldman
While researching 'The Submission,' I went to a protest against the Ground Zero mosque in New York when I was about to give birth to twins. It was about 100 degrees. People thought I was very dedicated.
Amy Waldman
In Germany, you have a huge official memorial to the murdered Jews and then you have this artist who's been putting these stumbling blocks, these brass cobblestones, outside the houses Jews were taken away from. It's somewhat controversial and has met some resistance.
Amy Waldman
I wasn't sitting around years ago thinking I really want to write a novel.
Amy Waldman
Nothing in life gets dropped without someone else having to pick it up.
Amy Waldman
Work less than you think you should. It took me a while to realise there was a point each day when my creativity ran out and I was just producing words - usually lousy ones - for their own sake. And nap: it helps to refresh the brain, at least mine.
Amy Waldman
I think in the wake of 9/11, like a lot of Americans, you know, we were all very traumatized by the attacks, traumatized in a totally different way by some of what happened afterward in response. And I think there have been these questions hovering in the past decade of, what kind of country are we? Who are we?
Amy Waldman
I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels.
Amy Waldman
So the premise of 'The Submission' is that there's an anonymous competition to design a 9/11 memorial and it's won by an American Muslim, an architect born and raised in Virginia, and his name is Mohammad Khan.
Amy Waldman
The rhetoric is the first step, it coarsens attitudes
Amy Waldman
My children, who are almost two: watching them develop has made me pay much closer attention to how we become who we are.
Amy Waldman
Imagination, it turns out, is a great deal like reporting in your own head. Here is a paradox of fiction-writing. You are crafting something from nothing, which means, in one sense, that none of it is true. Yet in the writing, and perhaps in the reading, some of a character's actions or lines are truer than others.
Amy Waldman
I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
Amy Waldman
And as journalists we look for differences - differences between countries, cultures, classes, and communities. We're very sensitized to difference, but it's much harder to write about similarities across countries, cultures, classes, and communities.
Amy Waldman
In America time was gold in Bangladesh, corrugated tin.
Amy Waldman
[s]he was a compulsive pessimist, always looking for the soft brown spot in the fruit, pressing so hard she created it.
Amy Waldman
Eden, paradise - all the best gardens are imaginary.
Amy Waldman
Over the centuries, and even today, the Bible and Christian theology have helped justify the Crusades, slavery, violence against gays, and the murder of doctors who perform abortions. The words themselves are latent, inert, harmless - until they aren't.
Amy Waldman
I found 'The Twin' sitting on a coffee table at a writers' colony in 2009. It carried praise from J.M. Coetzee. That seemed ample justification for using it to avoid my own writing. I finished it - weeping - a day later, and I've been puzzling over its powerful hold on me ever since.
Amy Waldman
