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[s]he was a compulsive pessimist, always looking for the soft brown spot in the fruit, pressing so hard she created it.

Amy Waldman

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Amy Waldman
Age: 55
Born: 1969
Born: May 21
Author
Journalist
Writer
the United States of America
Fruit
Created
Compulsive
Looking
Pressing
Hard
Pessimist
Always
Spot
Soft
Spots
Brown

More quotes by Amy Waldman

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I wasn't sitting around years ago thinking I really want to write a novel.
Amy Waldman
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And as journalists we look for differences - differences between countries, cultures, classes, and communities. We're very sensitized to difference, but it's much harder to write about similarities across countries, cultures, classes, and communities.
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My parents are aging and there are difficult issues. It's strange to have children at the beginning of life and parents nearing the end.
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As a novelist, you deepen your characters as you go, adding layers. As a reporter, you try to peel layers away: observing subjects enough to get beneath the surface, re-questioning a source to find the facts. But these processes aren't so different.
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Fabricating reality was criminal editing it, commonplace.
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History is the history of human behavior, and human behavior is the raw material of fiction. Most people recognize that novelists do research to get the facts right - how a glove factory works, for example, or how courtesans in imperial Japan dressed.
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In America time was gold in Bangladesh, corrugated tin.
Amy Waldman
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Sorrow can be a bully.
Amy Waldman
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Work less than you think you should. It took me a while to realise there was a point each day when my creativity ran out and I was just producing words - usually lousy ones - for their own sake. And nap: it helps to refresh the brain, at least mine.
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While researching 'The Submission,' I went to a protest against the Ground Zero mosque in New York when I was about to give birth to twins. It was about 100 degrees. People thought I was very dedicated.
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Nothing in life gets dropped without someone else having to pick it up.
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As a reporter you tend to seek coherence from your subject or your source - it all needs to add up and make sense. In truth, in reality, there's often a great deal of murkiness and muddiness, confusion and contradiction.
Amy Waldman
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I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
Amy Waldman
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I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels.
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Jealousy clings to love's underside like bats to a bridge.
Amy Waldman
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I found 'The Twin' sitting on a coffee table at a writers' colony in 2009. It carried praise from J.M. Coetzee. That seemed ample justification for using it to avoid my own writing. I finished it - weeping - a day later, and I've been puzzling over its powerful hold on me ever since.
Amy Waldman
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In life, redemption was walking up the down escalator: stop to congratulate yourself, and back you slid.
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I'm kind of a mash-up of taste - Graham Greene and Jane Austen W.G. Sebald and Alice Munro.
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Eden, paradise - all the best gardens are imaginary.
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Over the centuries, and even today, the Bible and Christian theology have helped justify the Crusades, slavery, violence against gays, and the murder of doctors who perform abortions. The words themselves are latent, inert, harmless - until they aren't.
Amy Waldman