The purpose of the photograph is to reveal the love that is felt in a single image.

I never even dreamt of being a writer because I didn't feel allowed. When I was a child I was terribly ambitious, but I didn't know at all what this great thing would become.

Of course you have memories, and these memories are convincing. But it's really at the moment when I write them down - when I write about my relationship with that Japanese boy in Ni d'Eve, Ni d'Adam - that they reach a degree of reality which is incandescent, that I've really conquered a story, understood it and feel that it is really part of me.

Luckily I haven't fallen into the trap, which has claimed so many writers, of living from day to day thinking 'Ah, I'll write a book about that.'

Because we don't have much time together, I will give you as much love in a year as I could give you in a lifetime.

Une histoire d'amour dont les épisodes ont été mélangés par un fou

I need to be very hungry all the time. I need to be very hungry to write.

When you have a lot of success you don't need vanity any more.

I eat in a strange way, but I enjoy it. Everything became well when I finally understood that I enjoy being hungry. Normally, I only eat in the evening.

If you admire yourself in the mirror, let it be in fear and not delight, because the only thing that beauty will bring to you is terror of losing it.

I thought maybe I would become a god, or a goddess, or a president or a Nobel Prize winner.

It's while writing that suddenly a point of view appears: 'So, that's what I really thought about this thing'. Then it feels part of me.

Japanese women live in fear of making the least sound in a bathroom stall. Japanese men pay no attention to the subject whatsoever.

God isn't chocolate, he's the encounter between chocolate and the palate capable of appreciating it.

More and more I understand that it's very fine not to know where you come from.

When I want to be incognito, I don't wear any hat. Unfortunately, even without the hat, they now recognise me in Paris.

I've noticed it a lot. I'm not someone who revises. It's always the first movement, it's that. It's an instinct. Either it works straight away, or it won't ever work.