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Science fiction is one of the smartest genres around because you have to have so much forethought.

Amanda Schull

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Amanda Schull
Age: 46
Born: 1978
Born: August 26
Actress
Ballet Dancer
Choreographer
Film Actor
Television Actor
Honolulu
Hawaii
Forethought
Smartest
Genres
Genre
Fiction
Science
Around
Much

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Love for me is comfort. I feel most loved and most capable of giving love when I am around people or in places that make me comfortable.
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You never want to be pigeonholed into something and have people think, Oh, that's the guy we call for this particular thing.
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It's hard with ballet because your aesthetic really is important. It's different from acting and from film. Nobody wants to watch somebody who is sickly thin. And it's interesting because I have danced with people who are ill, have eating disorders, and a light goes off within them.
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I also have a routine with breathing and visualization techniques that I go through when I feel overwhelmed or nervous.
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When I am confronted with emotional pain, I try to allow myself the time to properly grieve. We are caring, emotional beings, and attempting to suppress pain will only cause it to negatively manifest itself in other ways.
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Nicholas Hytner, who directed Center Stage, is a huge ballet fan. He was completely open, as was Bruce Beresford, to get our perspective. No, we wouldn't do this. Yes, we would do that. That's not realistic. So, I feel like Center Stage did well in that respect.
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I think people don't often realize how much goes into being a male dancer. It's athletic and it's hard. It's not just men wearing tights, or wanting to be around women.
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I think one of the big challenges about science fiction is finding truth to relate to as an actor.
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A lot of professional dancers become professional when they turn 15 or 16 years old, when they're still children. So you've trained every single waking moment up until that point for a career that could maybe only last 10 years, maybe longer if your body holds up, if your injuries are kept at bay.
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I think the idea of embodying the physical presence of a character is the same on stage and screen. There are just different levels of expression to keep in mind for each platform.
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I love the process of creating a character someone entirely different from myself, and depicting it, either on stage or screen.
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I also use that centering process I mentioned as a way to focus my mind and connect it to my physical body. I feel that when we are aware of our physical bodies, we become more aware of how we exist on the earth and more considerate of others with whom we share the earth.
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As a dancer, I know couples that have stayed married but separated to dance on different continents. Dance in general, but ballet in particular, is such a finite career. You can't do it later in life, and it's something that I think a dancer has to have some selfishness to fulfill.
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In high school ethics they went around and asked what everyone thought their classmates were qualified to do. For me, everyone said actress. But to me it was very much if it happens, it happens.
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Acting for screen is very different from acting on stage, and then obviously when you dance... everything is a physical embodiment. But the discipline is the same approach. You have to take both things seriously nothing well-crafted is by mistake.
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I think one of my biggest lessons so far in life is that hard work really does pay off. It may not culminate in the way you expected it to, but I have found that when I really put my head down and apply myself, I often get a good result.
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What a person feels within themselves and about themselves radiates from them. Trust me, I have worked with people - both men and women - who are not what most would consider conventionally attractive, but who exude such a magnetism about them that people are compelled to watch them on stage or screen.
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I know that there is absolutely good in the world.
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I think there is a wonderful trend of strong female characters on television right now.
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The second time I was banned was when I directed a film called Xiu Xiu. I was banned for three years from China.
Amanda Schull