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The challenge is to just focus on what's actually happening, focus on the people who get it, and focus on the people who are listening.
Amanda Palmer
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Amanda Palmer
Age: 48
Born: 1976
Born: April 30
Blogger
Composer
Musician
Pianist
Playwright
Recording Artist
Singer
Songwriter
Street Artist
Writer
New York City
New York
Amanda MacKinnon Gaiman Palmer
Amanda MacKinnon Palmer
Amanda Fucking Palmer
Challenges
Focus
Actually
People
Happenings
Happening
Challenge
Listening
More quotes by Amanda Palmer
I suffer mornings most of all I feel so powerless and small By ten o'clock I'm back in bed Fighting the jury in my head
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Everyone I know shares toothbrushes. Everyone I know sleeps on each other's floor. Everyone I know uses what they've got and shares what they've got.
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One thing about being a performer is you're not just doing an intellectual job behind a desk you're out there performing and being looked at, being assessed for really superficial stuff.
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Crowdfunding as an idea itself isn't new - bands have been doing it since the dawn of time.
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Sometimes I have a terrible feeling that I am dying not from the virus, but from being untouchable.
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Donald Trump is going to make punk rock great again.
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Life as it should be: all friends, all art, all music, all love, all the time.
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When you connect with people, they want to help you.
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The cool thing too, as you get older, you get way better at identifying who's an ally and who isn't. And who has good, positive, let's make all this sh*t better and let's try to have fun and fix sh*t people as opposed to let's sit around and b*tch and berate people.
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There's really no honor in proving that you can carry the entire load on your own shoulders. Andit's lonely.
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I've always felt like an outsider across the board, since day one. The challenge has been to simply not pay attention to my outsider or insider status and just do the work and play the shows and connect with the people. And not even bother to play this game of keeping score, which is what destroys you.
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I don't think of myself as particularly cursed or blessed. I think I got dealt a set of cards, and I'm playing with them, sometimes in heels, sometimes in combat boots.
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I think you can't have this discussion and you can't have a discussion about feminism and the consciousness of the world without having a discussion about what has happened to men lately. They're holding the other side of the bag.
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If you want the world to pay for projects, you have to be able to display why you're worthy.
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I think people have been obsessed with the wrong question, which is how do we make people pay for music? What if we started asking, how do we let people pay for music?
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I don't feel at home in New Orleans. I don't feel at home in Austin or L.A. And I just felt immediately at home in northern Australia.
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I have a handful of really close relationships in my life and I depend on those people heavily to carry me through and to help me stay steady.
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I think the thing you're seeing now with the music industry is that the people who have tight-knit communities are now able to really hold each other up because of the internet tools. And the really top-down pyramid scheme of major labels and typical superstars isn't sustainable anymore because the system has collapsed.
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If you're going to make work and you're going to write and you're going to put yourself out there and perform, you will be belittled, you will be insulted, you will be called a standard collection of names, you will be accused, and you just have to stand there and continue to work and find a way to not let those things poison you.
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I suppose I'm happy to sell my time and energy, but I'm not happy to sell my initial creative time.
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