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I think it's so important to have a practice, because the consciousness isn't perfection or enlightenment or any of that bullshit. The consciousness is, Oh, I'm walking down the street and I'm doing nothing.

Amanda Palmer

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Amanda Palmer
Age: 48
Born: 1976
Born: April 30
Blogger
Composer
Musician
Pianist
Playwright
Recording Artist
Singer
Songwriter
Street Artist
Writer
New York City
New York
Amanda MacKinnon Gaiman Palmer
Amanda MacKinnon Palmer
Amanda Fucking Palmer
Consciousness
Practice
Nothing
Bullshit
Important
Enlightenment
Think
Street
Thinking
Perfection
Walking
Streets

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Art is food for the soul, and an artistic climate is a healthy climate because it breeds empathy.
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It is terrifying to people when women step up and start owning the story that they have not owned. And I'm seeing so much of this, and it is a seismic shift.
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If your writing is good, if it resonates, if it connects the dots for anybody out there, the lovers will come, the haters will come, support will come — sometimes in the form of money, sometimes in the form of something less expected — and it balances.
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I had very literal parents and I wanted to survive with metaphor and art, and there was a real sense of shame around it.
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Eat the pain. Send it back into the void as love.
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Asking for help with shame says: You have the power over me. Asking with condescension says: I have the power over you. But asking for help with gratitude says: We have the power to help each other.
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I think performance art comes from a simple place of wanting to express things beyond just sound.
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One of the best things about Kickstarter and crowdfunding and the collapse of the music business is a lot of artists like me have been forced to face our own weird mess about ourselves and what we thought it meant to become musicians.
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I think I can define my entire life, virtuosity and business philosophy down to the core fundamental that I absolutely hate being told what to do. But like any artist or any human being out there, I desperately want to be loved, and I spend my entire life trying to balance those two facts.
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Comparing yourself to the people like you, comparing yourself to the people who aren't like you, looking at how many records you've sold, looking at the venue size you're selling out. None of that can even remotely measure how happy you are.
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Men find powerful women so threatening, and finding a partner was starting to look laughable, because I would be really attracted to guys and they would just be so threatened and I didn't like feeling threatening, I didn't want to feel threatened, I didn't want to feel like I was towering over anybody.
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Nobody ever sees me. Thank you.
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Bands like Nirvana had theatrical sensibilities, playing with image, challenging assumptions people were making about them, the apex being Kurt Cobain in a dress to make a point.
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If you want the world to pay for projects, you have to be able to display why you're worthy.
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I hate being ignored.
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It feels like it is a daily work and an ongoing task to undo all of the f - - g programming that I have had all my life about who I am supposed to be and how I'm supposed to look and that I'm supposed to win. It's a daily deconstruction of all that bullshit.
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We are human and our nature is to air...
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One thing about being a performer is you're not just doing an intellectual job behind a desk you're out there performing and being looked at, being assessed for really superficial stuff.
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There was a dance that everyone was doing that was heavily skewed with the power in one direction, but the dance was basically working, and then the dance got really disrupted with the first wave of feminism, and nobody found their footing yet - not the guys, not the women.
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You are an artist when you make someone feel something deep and unexpected.
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