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I suppose I'm happy to sell my time and energy, but I'm not happy to sell my initial creative time.

Amanda Palmer

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Amanda Palmer
Age: 48
Born: 1976
Born: April 30
Blogger
Composer
Musician
Pianist
Playwright
Recording Artist
Singer
Songwriter
Street Artist
Writer
New York City
New York
Amanda MacKinnon Gaiman Palmer
Amanda MacKinnon Palmer
Amanda Fucking Palmer
Energy
Time
Initial
Initials
Sell
Suppose
Sells
Creative
Happy

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I have never in my career embarked on a journey towards controversy. I have never deliberately set a flame.
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I don't think of myself as particularly cursed or blessed. I think I got dealt a set of cards, and I'm playing with them, sometimes in heels, sometimes in combat boots.
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I think I've always felt as a band and as a musician and a music business person, I've always felt like an outsider, period.
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I don't try to make anybody outside happy.
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There was a dance that everyone was doing that was heavily skewed with the power in one direction, but the dance was basically working, and then the dance got really disrupted with the first wave of feminism, and nobody found their footing yet - not the guys, not the women.
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You are an artist when you make someone feel something deep and unexpected.
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We can only connect the dots we collect, which makes everything you write about you... your connections are the thread that you weave into the cloth that becomes the story that only you can tell.
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How you sound. How you look. Are you fat? Those are things that could be really irritating.
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I firmly believe in music being as free as possible. Unlocked. Shared and spread. In order for artists to survive and create, their audiences need to step up and directly support them.
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Asking for help with shame says: You have the power over me. Asking with condescension says: I have the power over you. But asking for help with gratitude says: We have the power to help each other.
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If we can repair things emotionally, a lot of other things would follow.
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How do we let people pay for music?
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I kind of rely on my artist friends to make my physical music worth buying by having them all come together and create beautiful artwork that everyone is gonna want to own to support my record.
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I think to say that meditation is helpful to artists is true and it's great, but it's also essentially helpful to any kind of process of, just, life.
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I feel like I've gotten to the point in my career and in my life where I can allow myself to write whatever comes into my head and not judge it too harshly.
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There's something advantageous about being a woman in rock versus, say, a woman in chemistry or construction. There's definitely a built-in sexism across the board, but I think you're afforded a degree of freedom in rock because, historically, the rules have been flexible.
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You're not going to be perfect, you're not going to stop berating yourself, you're not going to stop the comparisons, you're not going to stop the judgment, but you can become evermore mindful of it, and that has to be good enough.
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I think it's so important to have a practice, because the consciousness isn't perfection or enlightenment or any of that bullshit. The consciousness is, Oh, I'm walking down the street and I'm doing nothing.
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When you're an artist, nobody ever tells you or hits you with the magic wand of legitimacy. You have to hit your own head with your own handmade wand. And you feel stupid doing it.
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I think the thing you're seeing now with the music industry is that the people who have tight-knit communities are now able to really hold each other up because of the internet tools. And the really top-down pyramid scheme of major labels and typical superstars isn't sustainable anymore because the system has collapsed.
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