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I get so many ideas for songs, but I'm so seldom disciplined enough to sit down and crank them out.
Amanda Palmer
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Amanda Palmer
Age: 48
Born: 1976
Born: April 30
Blogger
Composer
Musician
Pianist
Playwright
Recording Artist
Singer
Songwriter
Street Artist
Writer
New York City
New York
Amanda MacKinnon Gaiman Palmer
Amanda MacKinnon Palmer
Amanda Fucking Palmer
Enough
Many
Crank
Disciplined
Seldom
Songs
Song
Ideas
More quotes by Amanda Palmer
I draw the line at letting people into my songwriting cave. To me, that's where the alchemy happens and where the mystery is.
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I think to say that meditation is helpful to artists is true and it's great, but it's also essentially helpful to any kind of process of, just, life.
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When you connect with people, they want to help you.
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I think it's so important to have a practice, because the consciousness isn't perfection or enlightenment or any of that bullshit. The consciousness is, Oh, I'm walking down the street and I'm doing nothing.
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I think people have been obsessed with the wrong question, which is how do we make people pay for music? What if we started asking, how do we let people pay for music?
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I suffer mornings most of all I feel so powerless and small By ten o'clock I'm back in bed Fighting the jury in my head
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You tour and you work hard and you take care of your fans and very real things lead to other real things. There's never been some fantastic fluke or break in my career, it has all been very slow and steady.
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It is terrifying to people when women step up and start owning the story that they have not owned. And I'm seeing so much of this, and it is a seismic shift.
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All of my music, my stage show, my personality, my blog, my twitter feed, anything that's made me me, and a huge part of why people like and respect me, is that I just don't spend much energy on that other stuff. It's not worth it. It's a losing battle too. You're just screwed the minute you engage.
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Our nature is to desperately want to believe and to take what we believe is the quickest path there even against our better judgment.
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I hate being ignored.
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You know what’s really cool? Wake up every morning, decide what you feel like doing, and do it.
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I think I can define my entire life, virtuosity and business philosophy down to the core fundamental that I absolutely hate being told what to do. But like any artist or any human being out there, I desperately want to be loved, and I spend my entire life trying to balance those two facts.
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The challenge is to just focus on what's actually happening, focus on the people who get it, and focus on the people who are listening.
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I think the thing you're seeing now with the music industry is that the people who have tight-knit communities are now able to really hold each other up because of the internet tools. And the really top-down pyramid scheme of major labels and typical superstars isn't sustainable anymore because the system has collapsed.
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Sometimes I have a terrible feeling that I am dying not from the virus, but from being untouchable.
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I feel that part of my life's artwork is creatively dealing with all this negativity and anger and rage and hatred coming from whatever corners it's coming from and somehow manifesting all of that anger into something positive, which is such a hard job.
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I kind of rely on my artist friends to make my physical music worth buying by having them all come together and create beautiful artwork that everyone is gonna want to own to support my record.
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If you're going to make work and you're going to write and you're going to put yourself out there and perform, you will be belittled, you will be insulted, you will be called a standard collection of names, you will be accused, and you just have to stand there and continue to work and find a way to not let those things poison you.
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There are so many people, so many artists, so many magazines, so many theater companies, so many people trying to raise money for so many things that it's easy to look around and just feel powerless or helpless, because even if you have some resources, you can't help everybody.
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