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I think performance art comes from a simple place of wanting to express things beyond just sound.

Amanda Palmer

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Amanda Palmer
Age: 48
Born: 1976
Born: April 30
Blogger
Composer
Musician
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Recording Artist
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New York City
New York
Amanda MacKinnon Gaiman Palmer
Amanda MacKinnon Palmer
Amanda Fucking Palmer
Performance
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Performances
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More quotes by Amanda Palmer

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There's a fundamental disconnection in society in the way we live, this way we live that we take so for granted, and we've become very separate from one another and we don't really take lot of time to realize that. And the math is overwhelming to the point of despair, but the answers could be so simple.
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Twitter fascinates me because it's real. It feels kind of unreal, but it makes very real things happen.
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I am bigger on the inside But you have to come inside to see me
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The key is to just focus on the spots where the love is real, because you can just drive yourself crazy focusing on the negativity, focusing on the relationships that are irreparable and just aren't going to work, trying to convince the haters that you are indeed lovable. So much of that is wasted energy.
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I've always felt like an outsider across the board, since day one. The challenge has been to simply not pay attention to my outsider or insider status and just do the work and play the shows and connect with the people. And not even bother to play this game of keeping score, which is what destroys you.
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The impulse to connect the dots - and to share what you've connected - is the urge that makes you an artist
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I want to live in a world where Miley (or any female musician) can twerk wildly at 20, wear a full-cover floral hippie mumu at 37, show up at 47 in see-through latex, and pose semi-naked, like Keith & co, on the cover of Rolling Stone at 57 and be APPLAUDED for being so comfortable with her body.
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I have never in my career embarked on a journey towards controversy. I have never deliberately set a flame.
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There's something advantageous about being a woman in rock versus, say, a woman in chemistry or construction. There's definitely a built-in sexism across the board, but I think you're afforded a degree of freedom in rock because, historically, the rules have been flexible.
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The minute I spend any energy defending myself, explaining myself, or in the worst case scenario, trying to please those who are criticizing me, I will, you know, just fall off a cliff.
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I think one of the greatest gifts you can give to someone is just access to the possibility of freedom that you don't have to be totally depressed and enslaved by your own environment.
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I don't try to make anybody outside happy.
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I think I can define my entire life, virtuosity and business philosophy down to the core fundamental that I absolutely hate being told what to do. But like any artist or any human being out there, I desperately want to be loved, and I spend my entire life trying to balance those two facts.
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I had very literal parents and I wanted to survive with metaphor and art, and there was a real sense of shame around it.
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You're not going to be perfect, you're not going to stop berating yourself, you're not going to stop the comparisons, you're not going to stop the judgment, but you can become evermore mindful of it, and that has to be good enough.
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It’s not easy to ask… asking makes you vulnerable.
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When you're an artist, nobody ever tells you or hits you with the magic wand of legitimacy. You have to hit your own head with your own handmade wand. And you feel stupid doing it.
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I crave intimacy to the same burning degree that I detest commitment.
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When you trust people to help you, they often do.
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I remember being a teenager and being really impressed by let's sit around and b*tch people, and I have so little time for those people nowadays.
Amanda Palmer