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How do we let people pay for music?

Amanda Palmer

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Amanda Palmer
Age: 48
Born: 1976
Born: April 30
Blogger
Composer
Musician
Pianist
Playwright
Recording Artist
Singer
Songwriter
Street Artist
Writer
New York City
New York
Amanda MacKinnon Gaiman Palmer
Amanda MacKinnon Palmer
Amanda Fucking Palmer
Music
People
Pay

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I think you can't have this discussion and you can't have a discussion about feminism and the consciousness of the world without having a discussion about what has happened to men lately. They're holding the other side of the bag.
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I think people have been obsessed with the wrong question, which is how do we make people pay for music? What if we started asking, how do we let people pay for music?
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Nothing is crueller than children who come from good homes.
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I have a handful of really close relationships in my life and I depend on those people heavily to carry me through and to help me stay steady.
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I maintain couchsurfing and crowdsurfing are basically the same thing — you're falling into the audience and you're trusting each other.
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I want to be happy. i want to make people happy. i do not need to be rich to do that.
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Donald Trump is going to make punk rock great again.
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I think I can define my entire life, virtuosity and business philosophy down to the core fundamental that I absolutely hate being told what to do. But like any artist or any human being out there, I desperately want to be loved, and I spend my entire life trying to balance those two facts.
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I think performance art comes from a simple place of wanting to express things beyond just sound.
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I think being a woman in any business that's dominated by men, you have your garden variety pros and cons, where you learn how to focus and harness your various powers and weaknesses for better or for good.
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The key is to just focus on the spots where the love is real, because you can just drive yourself crazy focusing on the negativity, focusing on the relationships that are irreparable and just aren't going to work, trying to convince the haters that you are indeed lovable. So much of that is wasted energy.
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I'm bisexual, but it's not the sort of thing I spent a lot of time thinking about. I've slept with girls I've slept with guys, so I guess that's what they call it! I'm not anti trying to use language to simplify our lives.
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I firmly believe in music being as free as possible. Unlocked. Shared and spread. In order for artists to survive and create, their audiences need to step up and directly support them.
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I am bigger on the inside But you have to come inside to see me
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It would nice to live in a world where art can just be art!
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When you're an artist, nobody ever tells you or hits you with the magic wand of legitimacy. You have to hit your own head with your own handmade wand. And you feel stupid doing it.
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I think the thing you're seeing now with the music industry is that the people who have tight-knit communities are now able to really hold each other up because of the internet tools. And the really top-down pyramid scheme of major labels and typical superstars isn't sustainable anymore because the system has collapsed.
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For most of human history, musicians, artists, they've been part of the community — connectors and openers, not untouchable stars.
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There's something advantageous about being a woman in rock versus, say, a woman in chemistry or construction. There's definitely a built-in sexism across the board, but I think you're afforded a degree of freedom in rock because, historically, the rules have been flexible.
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I'm a massive fan of David Lynch and 'Twin Peaks.'
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