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Bands like Nirvana had theatrical sensibilities, playing with image, challenging assumptions people were making about them, the apex being Kurt Cobain in a dress to make a point.
Amanda Palmer
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Amanda Palmer
Age: 48
Born: 1976
Born: April 30
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New York City
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Amanda MacKinnon Gaiman Palmer
Amanda MacKinnon Palmer
Amanda Fucking Palmer
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More quotes by Amanda Palmer
Take on the pain and wear it as a shirt.
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If you love people enough, they will give you everything.
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I think I've been addicted to openness since long before my rock career. I was terrible as a teenager. I used to go out of my way to make people uncomfortable with personal details. I was always fascinated by the idea that we have these weird, random boundaries between what we do and don't show.
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I suffer mornings most of all I feel so powerless and small By ten o'clock I'm back in bed Fighting the jury in my head
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I still get laughed at but it doesn't bother me, I'm just so glad to hear laughter around me.
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When you cannot joke about the darkness of life, that’s when the darkness takes over.
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Nobody ever sees me. Thank you.
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For most of human history, musicians, artists, they've been part of the community — connectors and openers, not untouchable stars.
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If you're going to make work and you're going to write and you're going to put yourself out there and perform, you will be belittled, you will be insulted, you will be called a standard collection of names, you will be accused, and you just have to stand there and continue to work and find a way to not let those things poison you.
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The stage show is, in some sense, highly theatrical. It's definitely not just a band in jeans playing rock and roll.
Amanda Palmer
There's something advantageous about being a woman in rock versus, say, a woman in chemistry or construction. There's definitely a built-in sexism across the board, but I think you're afforded a degree of freedom in rock because, historically, the rules have been flexible.
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I think you can't have this discussion and you can't have a discussion about feminism and the consciousness of the world without having a discussion about what has happened to men lately. They're holding the other side of the bag.
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When you're an artist, nobody ever tells you or hits you with the magic wand of legitimacy. You have to hit your own head with your own handmade wand. And you feel stupid doing it.
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The world needs actual excitement and emotion more than it needs cool people.
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I think one of the greatest gifts you can give to someone is just access to the possibility of freedom that you don't have to be totally depressed and enslaved by your own environment.
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In both the art and the business worlds, the difference between the amateurs and the professionals is simple: The professionals know they're winging it. The amateurs pretend they're not.
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I want to live in a world where Miley (or any female musician) can twerk wildly at 20, wear a full-cover floral hippie mumu at 37, show up at 47 in see-through latex, and pose semi-naked, like Keith & co, on the cover of Rolling Stone at 57 and be APPLAUDED for being so comfortable with her body.
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Donald Trump is going to make punk rock great again.
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It is terrifying to people when women step up and start owning the story that they have not owned. And I'm seeing so much of this, and it is a seismic shift.
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I think people have been obsessed with the wrong question, which is how do we make people pay for music? What if we started asking, how do we let people pay for music?
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