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I think people have been obsessed with the wrong question, which is how do we make people pay for music? What if we started asking, how do we let people pay for music?
Amanda Palmer
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Amanda Palmer
Age: 48
Born: 1976
Born: April 30
Blogger
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New York City
New York
Amanda MacKinnon Gaiman Palmer
Amanda MacKinnon Palmer
Amanda Fucking Palmer
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More quotes by Amanda Palmer
If you come across an American artist right now who has no political opinions or is afraid of talking politics, be very concerned.
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Life as it should be: all friends, all art, all music, all love, all the time.
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It’s not easy to ask… asking makes you vulnerable.
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I crave intimacy to the same burning degree that I detest commitment.
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I feel an extraordinary amount of sympathy for anybody working at a major label right now because their lives are over.
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I think I've always felt as a band and as a musician and a music business person, I've always felt like an outsider, period.
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Crowdfunding as an idea itself isn't new - bands have been doing it since the dawn of time.
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Everyone I know shares toothbrushes. Everyone I know sleeps on each other's floor. Everyone I know uses what they've got and shares what they've got.
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There's something advantageous about being a woman in rock versus, say, a woman in chemistry or construction. There's definitely a built-in sexism across the board, but I think you're afforded a degree of freedom in rock because, historically, the rules have been flexible.
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The perfect tools aren't going to help us if we can't face each other and give and receive fearlessly, but more important, to ask without shame.
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I think I can define my entire life, virtuosity and business philosophy down to the core fundamental that I absolutely hate being told what to do. But like any artist or any human being out there, I desperately want to be loved, and I spend my entire life trying to balance those two facts.
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I remember being a teenager and being really impressed by let's sit around and b*tch people, and I have so little time for those people nowadays.
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I was just a very dark kid. My family was complicated.
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Meditation, especially for people who dont know very much about it and think its this very hippy dippy thing, can really be powerful, terrifying even, as it lifts the rug up on your subconscious and the dust comes flying out.
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I've watched so many women, from Kathleen Hanna all the way up to Taylor Swift, whether they're pop artists or rock stars or fine artists or writers, it is the subhistory of female artists that if you're going to make art, you're also going to have a full-time job of defending your right to make art.
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There's a fundamental disconnection in society in the way we live, this way we live that we take so for granted, and we've become very separate from one another and we don't really take lot of time to realize that. And the math is overwhelming to the point of despair, but the answers could be so simple.
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I want to live in a world where Miley (or any female musician) can twerk wildly at 20, wear a full-cover floral hippie mumu at 37, show up at 47 in see-through latex, and pose semi-naked, like Keith & co, on the cover of Rolling Stone at 57 and be APPLAUDED for being so comfortable with her body.
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There was a dance that everyone was doing that was heavily skewed with the power in one direction, but the dance was basically working, and then the dance got really disrupted with the first wave of feminism, and nobody found their footing yet - not the guys, not the women.
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I draw the line at letting people into my songwriting cave. To me, that's where the alchemy happens and where the mystery is.
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Collecting the dots. Then connecting them. And then sharing the connections with those around you. This is how a creative human works. Collecting, connecting, sharing.
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