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At twelve I was determined to shoot only For honor at twenty not to shoot at all I know at thirty-three that one must shoot As often as one gets the rare chance - In killing there is more than commentary.
Allen Tate
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Allen Tate
Age: 79 †
Born: 1899
Born: November 19
Died: 1979
Died: February 9
Author
Literary Critic
Poet
University Teacher
Writer
Winchester
Kentucky
John Orley Allen Tate
Killing
Commentary
Honor
Twelve
Gets
Rare
Chance
Shoot
Often
Thirty
Three
Twenty
Must
Twenties
Determined
More quotes by Allen Tate
Narcissism and the Confederate dead cannot be connected logically, or even historically even were the connection an historical fact, they would not stand connected as art, for no one experiences raw history.
Allen Tate
For often at Church I've seen the stained high glass Pour out the Virgin and Saints, twist and untwist The mortal youth of Christ astride an ass.
Allen Tate
There is probably nothing wrong with art for art's sake if we take the phrase seriously, and not take it to mean the kind of poetry written in England forty years ago.
Allen Tate
What was I saying? An Egyptian king Once touched long fingers, which are not anything.
Allen Tate
I have felt darkness lead me by the hand Over the hill to greet the singing dawn.
Allen Tate
The mission for the day is to encourage students to think beyond traditional career opportunities, prepare for future careers and entrance into the workplace.
Allen Tate
All the sea-gods are dead. You, Venus, come home To your salt maidenhead.
Allen Tate
Punctilious abyss, the yawn of space Come once a day to suffocate the sight.
Allen Tate
Death's long anabasis.
Allen Tate
According to its doctors, my one intransigent desire is to have been a Confederate general, and because I could not or would not become anything else, I set up for poet and beg an to invent fictions about the personal ambitions that my society has no use for.
Allen Tate
The twilight is long fingers and black hair.
Allen Tate
Struck in the wet mire Four thousand leagues from the ninth buried city I thought of Troy, what we had built her for.
Allen Tate
My darling boy whom I shall never know, My son, I love you in my deepest fears.
Allen Tate
The only real evidence that any critic may bring before his gaze is the finished poem.
Allen Tate
So the poet, who wants to be something that he cannot be, and is a failure in plain life, makes up fictitious versions of his predicament that are interesting even to other persons because nobody is a perfect automobile salesman.
Allen Tate
The idiot greens the meadow with his eyes, The meadow creeps implacable and still A dog barks, the hammock swings, he lies. One two three the cows bulge on the hill.
Allen Tate
We are afraid that we have not lived. We are not afraid of dying.
Allen Tate
Our loss put six feet under ground Is measured by the magnolia's root Our gain's the intellectual sound Of death's feet round a weedy tomb.
Allen Tate
So face with calm that heritage And earn contempt before the age.
Allen Tate
I am not ridiculing verbal mechanisms, dreams, or repressions as origins of poetry all three of them and more besides may have a great deal to do with it.
Allen Tate