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I like to use research to enlarge the poem. And sometimes a rhetorical or syntactical gesture stitches the poem along.

Alison Hawthorne Deming

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Alison Hawthorne Deming
Age: 78
Born: 1946
Born: January 1
Essayist
Poet
Writer
Gestures
Poem
Research
Along
Syntactical
Use
Stitches
Sometimes
Enlarge
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Rhetorical
Gesture

More quotes by Alison Hawthorne Deming

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I do think environmental writers need to be forward thinking, not just lamenting our losses. We do need to lament in some ways it's important to be the vessels for grief for all that's being lost on our planet. But we also need to be forward thinking.
Alison Hawthorne Deming
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One needs to be on guard against expecting external powers to decide when you can take yourself seriously as an artist. It can be a long wait - and lead to endless appetite.
Alison Hawthorne Deming
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You see this incredible capacity for replication in nature, survival, development, all of these things that are around us all the time in nature that just happen. By comparison, human life is really, really complicated. We're gifted animals, but we are so complicated. Nothing is easy for us, except maybe eating too much.
Alison Hawthorne Deming
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I think you have to live inside your contradictions and find a way to accept that that's the human condition - to be forced to live in contradiction.
Alison Hawthorne Deming
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As poets, we don't accept oppression we are about a freedom of spirit, or whatever you want to call it. I think environmental concerns have to go to the deep place, so we speak from a place of great empathy for the planet - for the disadvantaged people, animals, places, cultures.
Alison Hawthorne Deming
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If you have this deep feeling of empathy for the natural world, you feel it so profoundly. It's almost a religious experience. I feel that I could never really say the depth of feeling or connection I feel to the natural world, which has made me.
Alison Hawthorne Deming
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Poetry is a really helpful instrument. It's so physical the musicality becomes a sort of expression of the body. The mind is there too, in the formal aspects of the poem. The emotions are there in the way the senses gather things into the poem.
Alison Hawthorne Deming
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I'm always trying to ask myself both Who am I as an individual? and What are the cultural forces that have made me the person that I am? How can I understand myself as a cultural creature as well as an individual? I'm really obsessed with that question, and always asking my students to consider it.
Alison Hawthorne Deming
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I grow very impatient with prose writers who don't pay attention to the cadence of the sentence. If you start as a poet, you're wooed by the music of language you want to put that into your practice.
Alison Hawthorne Deming
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I'm always writing towards a discovery. When I'm writing poems in particular, I'm often writing because a few images coalesced in my mind and I thought, I wonder why these images are abrading against each other. I wonder what happens if put them in a poem and explore them. I'm trying to learn something every time I write a poem.
Alison Hawthorne Deming
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For me teaching has provided community and livelihood and the satisfaction of passing along what I've learned to others.
Alison Hawthorne Deming
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What I like about teaching is the discipline of finding words to unpack the artistic process. And I admire the drive in students who want to write, the mystery of how artistic talent unfolds.
Alison Hawthorne Deming
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I'm just really interested in the interface of the individual with the collective. I think that's where the arts live.
Alison Hawthorne Deming
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A lot of times students will come up to me and say, Well, I can't write because I don't know what I think about such-and-such. And I say, That's why you have to write. You don't wait until you know, because then who cares - it's static.
Alison Hawthorne Deming
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I was attacked by two dogs when I was three and a half years old. I'm lucky to be alive. My face was stitched back together and here I still am, gratefully so. I believe that experience shocked me into a deep alliance with the animal world, its beauty and viciousness and terror.
Alison Hawthorne Deming
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I've been accused of darkness by my inner light.
Alison Hawthorne Deming
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I am a result of what has happened on this planet - how could I find the art to say that? I can't, and yet, I am drawn to it because of the enormity of it. That seems really important.
Alison Hawthorne Deming
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I like the dance between sustained focus and digression that the long poem invites. A controlling metaphor helps to sustain the long poem.
Alison Hawthorne Deming
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Life seems complicated to me I feel confused a lot of the time by life. I feel confused about the fact that we can be so tender as creatures to one another, and so monstrous at the same time.
Alison Hawthorne Deming
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For the poets, my hope is that they will, quite simply, feel the obligation to be really informed about the situation in which we find ourselves, in terms of our imperiled planet. You should inform yourself so deeply that it becomes part of your nature, part of your voice.
Alison Hawthorne Deming