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I don't want people to write programmatic environmental poems, but I think sustainability should become deeply a part of the consciousness of poetry - an impulse toward compassion, empathy, and social justice.
Alison Hawthorne Deming
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Alison Hawthorne Deming
Age: 78
Born: 1946
Born: January 1
Essayist
Poet
Writer
Thinking
Consciousness
Poems
People
Justice
Empathy
Write
Impulse
Social
Environmental
Become
Deeply
Part
Toward
Writing
Compassion
Programmatic
Think
Poetry
Sustainability
More quotes by Alison Hawthorne Deming
We're nature. Our minds are nature. Our desire to make poetry is nature.
Alison Hawthorne Deming
Sometimes it gets talked about as if life is all about the individual, and I don't think it is. I'm really interested in what writing can contribute to a kind of cultural intelligence.
Alison Hawthorne Deming
I had real concerns about the relationship between nature and culture and places I wanted to write about... I thought, well, maybe I should try prose. It was a real struggle to begin because, first of all, there were so many words on the page - it was terrifying... Beginning was awful.
Alison Hawthorne Deming
There are landscapes and species that are not going to be here a hundred years from now, fifty years from now. One gift we as writers give to the world is to bear witness to these landscapes and species as we have experienced them.
Alison Hawthorne Deming
I'm always writing towards a discovery. When I'm writing poems in particular, I'm often writing because a few images coalesced in my mind and I thought, I wonder why these images are abrading against each other. I wonder what happens if put them in a poem and explore them. I'm trying to learn something every time I write a poem.
Alison Hawthorne Deming
When we're writing anything, we're bearing witness to the time we live in and how it's different from any other time in history.
Alison Hawthorne Deming
I like bringing poetry's focus on figurative language and compression into the essay. Of course, the musical properties of language, the cadence of the sentence, are really important to me in prose.
Alison Hawthorne Deming
You see this incredible capacity for replication in nature, survival, development, all of these things that are around us all the time in nature that just happen. By comparison, human life is really, really complicated. We're gifted animals, but we are so complicated. Nothing is easy for us, except maybe eating too much.
Alison Hawthorne Deming
I came to teaching late - not until my forties - which is one reason why I'm not burned out.
Alison Hawthorne Deming
The environment is becoming so much a central concern, I see environmental concerns just bleeding into poetries all over the place. My hope is that we won't have these environmental poets tucked over here and everybody else doing cool stuff with language and consciousness elsewhere, but that all of it will become one thing.
Alison Hawthorne Deming
I'm extremely interested in science as the mythos within which I live. Science tells me what kind of animal I am, what kind of a universe I live in. It's always deepening my understanding of the natural world.
Alison Hawthorne Deming
I'm interested in thinking about how are we contributing to the culture, what we can write that might help us deepen the culture, make us more reflective, make us more empathetic, make us feel our connectedness in other ways.
Alison Hawthorne Deming
It's extremely important that, as writers, we give a voice to those who don't have voices, including the other animals that we share the planet with and the places that are endangered or being lost.
Alison Hawthorne Deming
I like to joke that I started writing long poems out the anxiety over ending and starting poems. It just seemed easier to keep going.
Alison Hawthorne Deming
I'm always trying to ask myself both Who am I as an individual? and What are the cultural forces that have made me the person that I am? How can I understand myself as a cultural creature as well as an individual? I'm really obsessed with that question, and always asking my students to consider it.
Alison Hawthorne Deming
I'm always trying to bring as many poetic properties as possible to the essay without making it too overburdened.
Alison Hawthorne Deming
I do think that the long poem speaks for an inner need for continuity. We live in a time of so many losses, disruptions, and distractions, that the need for a sense of the ongoing is quite real. The long poem is very satisfying in offering the psyche a model of coherence.
Alison Hawthorne Deming
I do think environmental writers need to be forward thinking, not just lamenting our losses. We do need to lament in some ways it's important to be the vessels for grief for all that's being lost on our planet. But we also need to be forward thinking.
Alison Hawthorne Deming
I'm just really interested in the interface of the individual with the collective. I think that's where the arts live.
Alison Hawthorne Deming
I had wanted for so many years to feel that writing really was at the center of my life, not something I did in my spare time. So the writing and teaching feel in some way to be one thing - the personal engagement and the social engagement good partners.
Alison Hawthorne Deming