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I don't know much about death and the sorriest lesson I've learned is that words, my most trusted guardians against chaos, offer small comfort in the face of anyone's dying.
Alison Hawthorne Deming
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Alison Hawthorne Deming
Age: 78
Born: 1946
Born: January 1
Essayist
Poet
Writer
Learned
Trusted
Small
Lesson
Anyone
Offer
Face
Chaos
Faces
Lessons
Words
Offers
Death
Comfort
Guardians
Much
Dying
Guardian
More quotes by Alison Hawthorne Deming
Poetry is one of the most full ways of discovering what it feels like to be a human being in this particular moment, in this particular set of concerns. It's all about discovery.
Alison Hawthorne Deming
I think you have to live inside your contradictions and find a way to accept that that's the human condition - to be forced to live in contradiction.
Alison Hawthorne Deming
When we're writing anything, we're bearing witness to the time we live in and how it's different from any other time in history.
Alison Hawthorne Deming
I think I started writing as a young person because I felt a lot of psychic confusion and emotional confusion, and writing was a way to sort it out. You know, to externalize it, sort it out, put it down, look at it, and hopefully it would become clearer.
Alison Hawthorne Deming
Climate change is a moral challenge, not simply an economic or technological problem. It is linked to social justice, because it is the poor citizens of the world who will suffer the most from our excesses.
Alison Hawthorne Deming
I like bringing poetry's focus on figurative language and compression into the essay. Of course, the musical properties of language, the cadence of the sentence, are really important to me in prose.
Alison Hawthorne Deming
Life seems complicated to me I feel confused a lot of the time by life. I feel confused about the fact that we can be so tender as creatures to one another, and so monstrous at the same time.
Alison Hawthorne Deming
I'm always writing towards a discovery. When I'm writing poems in particular, I'm often writing because a few images coalesced in my mind and I thought, I wonder why these images are abrading against each other. I wonder what happens if put them in a poem and explore them. I'm trying to learn something every time I write a poem.
Alison Hawthorne Deming
I was attacked by two dogs when I was three and a half years old. I'm lucky to be alive. My face was stitched back together and here I still am, gratefully so. I believe that experience shocked me into a deep alliance with the animal world, its beauty and viciousness and terror.
Alison Hawthorne Deming
I do think environmental writers need to be forward thinking, not just lamenting our losses. We do need to lament in some ways it's important to be the vessels for grief for all that's being lost on our planet. But we also need to be forward thinking.
Alison Hawthorne Deming
We're nature. Our minds are nature. Our desire to make poetry is nature.
Alison Hawthorne Deming
One needs to be on guard against expecting external powers to decide when you can take yourself seriously as an artist. It can be a long wait - and lead to endless appetite.
Alison Hawthorne Deming
I am a result of what has happened on this planet - how could I find the art to say that? I can't, and yet, I am drawn to it because of the enormity of it. That seems really important.
Alison Hawthorne Deming
I've been accused of darkness by my inner light.
Alison Hawthorne Deming
Teachers have had a great effect on me as a child. I've always loved school and had a great appetite for learning. I cried when it was time to go back home and tried to jump from my mother's moving car to run back there.
Alison Hawthorne Deming
There are landscapes and species that are not going to be here a hundred years from now, fifty years from now. One gift we as writers give to the world is to bear witness to these landscapes and species as we have experienced them.
Alison Hawthorne Deming
I'm always trying to bring as many poetic properties as possible to the essay without making it too overburdened.
Alison Hawthorne Deming
I like to joke that I started writing long poems out the anxiety over ending and starting poems. It just seemed easier to keep going.
Alison Hawthorne Deming
I like the dance between sustained focus and digression that the long poem invites. A controlling metaphor helps to sustain the long poem.
Alison Hawthorne Deming
Sometimes it gets talked about as if life is all about the individual, and I don't think it is. I'm really interested in what writing can contribute to a kind of cultural intelligence.
Alison Hawthorne Deming