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I wish I had a typical workday. I struggle to get up at seven and almost always fail. I just try to get to my office as soon as I can, but it's always later than I would like.

Alison Bechdel

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Alison Bechdel
Age: 64
Born: 1960
Born: September 10
Cartoonist
Comics Artist
Novelist
Writer
Lock Haven
Pennsylvania
Alison J. Bechdel
Struggle
Workday
Almost
Typical
Wish
Fail
Trying
Seven
Always
Later
Would
Soon
Like
Failing
Office

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I love Jules Feiffer. I didn't discover him until I was a little older.
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She has given me a way out.
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Self-published media are really critical. It's so heartwarming that people are still doing it in this digital age. It's just really moving and exciting. You can't really replace a beautiful little mini-comic. It doesn't translate to the computer, you know? Handmade stuff has really given me hope for humanity.
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I'm pretty illiterate when it comes to comics history.
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It was not a triumphal return. Home, as I had known it, was gone.
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I try not to have anything too much going on between waking up and getting to work. I like to just be really fresh when I sit down. I always have my best ideas, like, within five minutes of starting. And then the rest of the day is just kind of putting in time.
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The web is my unconscious but it's also a wish -- a fantasy of what my own creativity might look like if I weren't constantly impeding its flow.
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Partly I resented being perceived as weak because I was a girl.
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When I was growing up in the 1960s, there was starting to be more books geared towards young adults.
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Although I am good at enumerating my father’s flaws, it’s hard for me to sustain much anger at him. I expect this is partly because he’s dead, and partly because the bar is lower for fathers than it is for mothers.
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Yeah, I read Judy Blume. My mother didn't like that, but I read it anyhow.
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I could not do what I do if I were not obsessive compulsive to a certain extent. I don't act clinically OCD. I'm not going to check things so many times I have to take drugs for it. But the kind of complicated and painstaking work I have to do to make my drawings, it just kind of harnesses that compulsive energy in a constructive way.
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Drawing is more fun to me than writing. I think it's interesting to talk to different cartoonists about how those activities work for them. I'm a very writerly cartoonist. I certainly spend more time on the writing than I do on the drawing, even though the drawing, of course, is very time-consuming.
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Even drawing gray hair at all is difficult to render in black and white.
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My father once nearly came to blows with a female dinner guest about whether a particular patch of embroidery was fuchsia or magenta. But the infinite gradations of color in a fine sunset - from salmon to canary to midnight blue - left him wordless.
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At first I was glad for the help. My freshmen English class, Mythology and Archetypal Experience, confounded me. I didn't understand why we couldn't just read books without forcing contorted interpretations on then
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The satiric ethos of Mad was a much bigger childhood influence.
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I don't know, maybe it's because I was raised Catholic. Confession has always held a great appeal for me.
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You can't live and write at the same time.
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