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I live in a world where two truths coexist: where both hell and hope lie in the palm of my hand

Alice Sebold

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Alice Sebold
Age: 62
Born: 1962
Born: September 6
Novelist
Writer
Madison
Wisconsin
World
Truths
Hell
Hand
Lying
Hope
Hands
Coexist
Two
Palm
Live
Palms

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Sometimes you cry, Susie, even when someone you love has been gone a long time.
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Murderers are not monsters, they're men. And that's the most frightening thing about them.
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Poison and medicine are often the same thing, given in different proportions
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You save yourself or you remain unsaved.
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Loss could be used as a measure of beauty in a woman.
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After telling the hard facts to anyone from lover to friend, I have changed in their eyes. Often it is awe or admiration, sometimes it is repulsion, once or twice it has been fury hurled directly at me for reasons I remain unsure of.
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But I know I would not go out. I had taken this time to fall in love instead — in love with the sort of helplessness I had not felt in death — the helplessness of being alive, the dark bright pity of being human — feeling as you went, groping in corners and opening your arms to light - all of it part of navigating the unknown.
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Do you miss Susie? Because it was dark, because Ruth was facing away from her,because Ruth was almost a stranger, Lindsey said what she felt. More than anyone will ever know.
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Who would have thought something that happened that long ago could have such power?
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Well, as my dad would say, it means she’s out of this shithole.
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He had a moment of clarity about how life should be lived: not as a child or as a woman. They were the two worst things to be.
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I'm fine with whatever comes my way, and whatever doesn't come my way I'm fine with too. I have a very laissez-faire attitude with the whole thing.
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People grow up by living.
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I mean, if I went into my closet, I could find a previous draft and try to figure that out, but it takes a long time for me to find the voice to tell a story in. I was working from other points of view for a couple years there.
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But also I wanted him to go away and leave me be. I was granted one weak grace. Back in the room where the green chair was still warm from his body, I blew that lonely, flickering candle out
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I dont think ignorance is a way that you gain distance on something.
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The sun came through the branches of the tree above her, and Ruth looked up past them. I think she listens, she said, too softly to be heard.
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There’s no condition one adjusts to so quickly as a state of war.
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It's hard, because when you talk about process or your characters ruling your narrative, it sounds like you have no control, but obviously you're ultimately the author, so you do have control.
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