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Every great narrative is at least two narratives, if not more - the thing that is on the surface and then the things underneath which are invisible.
Ali Smith
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Ali Smith
Age: 62
Born: 1962
Born: January 1
Author
Journalist
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Every
Underneath
Things
Narrative
Invisible
Surface
Least
Two
Great
Thing
Narratives
More quotes by Ali Smith
And it was always the stories that needed the telling that gave us the rope we could cross any river with. They balanced us high above any crevasse. They made us be natural acrobats. They made us brave. They met us well. They changed us. It was in their nature to.
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The proper word for me, Robin Goodman says, is me.
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You never know if you're a writer. You can't trust it. If you woke up and said, I'm a writer, it would be gone. You wouldn't see anything for miles - even the dust would be running away.
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Stella Duffy is a writer who never lets you down.
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Oh. To be filled with goodness then shattered by goodness, so beautifully mosaically fragmented by such shocking goodness.
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We're well past the end of the century when time, for the first time, curved, bent, slipped, flash forwarded, and flashed back yet still kept rolling along. We know it all now, with our thoughts traveling at the speed of a tweet, our 140 characters in search of a paragraph. We're post-history. We're post-mystery.
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The whole point is, we can forget. It’s important that we forget some things. Otherwise we’d go round the world carrying a hodload of stuff we just don’t need.
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We'd never expect to understand a piece of music on one listen, but we tend to believe we've read a book after reading it just once.
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It's about the connecting force from form to form. It's the toe bone connecting to the shoulder bone. It's the bacterial kick of life force, something growing out of nothing, forming itself out of something else. Form never stops. And form is always environmental.
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Art makes nothing happen in a way that makes something happen.
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All we need to do, reader or writer, from first line to final page, is be as open as a book, and be alive to the life in language - on all its levels.
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remember you must live. remember you most love. remainder you mist leaf.
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All we are is eyes looking for the unbroken or the edges where the broken bits might fit each other.
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A game one of my sisters will play with me in my first year of being alive is called Good Baby, Bad Baby. This consists of being told I am a good baby until I smile and laugh, then being told I am a bad baby until I burst into tears. This training will stand me in good stead all through my life.
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Google is so strange. It promises everything, but everything isn’t there. You type in the words for what you need, and what you need becomes superfluous in an instant, shadowed instantaneously by the things you really need, and none of them answerable by Google.
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Even things which seem separate and finished are infinitely connected and will infinitely connect. This connection happens as soon as you let it, as soon as you engage - as soon as you even attempt to engage.
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But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
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Nothing is harmful to literature except censorship, and that almost never stops literature going where it wants to go either, because literature has a way of surpassing everything that blocks it and growing stronger for the exercise.
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I don't want a tombstone. You could carve on it 'She never actually wanted a tombstone.'
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