In 2016, the conversation of the black experience is so broad, and it's very raw. I mean, c'mon, we have a black president. That's a major thing, and there are so many other significant occurrences that have come from the '60s and '70s up to now.

When you are creating something artistically and are speaking to or representing a culture that you know truthfully, you are doing a good job.

Much of hip-hop, like comic books, is fantastical by nature, too.

I am the ambassador to the world. I use music to talk to the world - to try to unite masses. To try to spark conversations. To try and evoke legislation to change that'll really be for the people. That's behind-the-scenes kind of thing for me. And that's what the music is for me.

I do think that hip-hop has a relationship with comic book culture, and Kung Fu movies too, for that matter.

Take emceeing, one of the foundations of hip-hop culture. A guy grabs a mic, steps up on stage and becomes a spokesman the voice of the people. If anything, that might be the strongest similarity between hip-hop and comic books, with super heroes, like many rappers, fighting to make a change.

The basic idea of a hero rising up to represent an oppressed or disenfranchised group of people is as true to hip-hop as it is comic book lore.

There have been a lot of hip-hop artists who have made a difference to people's lives, spreading the message of the struggle and representing for those who have overcome adversity.

There's the shared imagery between hip-hop and comics, with some producers and emcees taking on super hero personas.

Hip-hop was the culture that I grew up with I am part of this culture.

I think that any story that intends on being culturally authentic and true to life experiences will be a great story. Even if that culture isn't a hip-hop-centric one.