Quote

My picture, Fifth Avenue, Winter is the result of a three hours' stand during a fierce snow-storm on February 22nd 1893, awaiting the proper moment. My patience was duly rewarded. Of course, the result contained an element of chance, as I might have stood there for hours without succeeding in getting the desired pictures.

Alfred Stieglitz

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Alfred Stieglitz
Age: 81 †
Born: 1864
Born: January 1
Died: 1946
Died: January 1
Exhibition Curator
Photographer
Photography Critic
Publisher
Hoboken
New Jersey
Alfred Steiglitz
Three
Results
Patience
Contained
Duly
Might
Courses
Pictures
Fifth
Awaiting
Without
Course
Winter
Fierce
Succeeding
Getting
Picture
Stood
Avenue
Hours
Result
Element
February
Chance
Elements
Proper
Rewarded
Moment
Succeed
Snow
Avenues
Moments
Stand
Storm
Desired

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Photography is my passion.
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My photographs are a picture of the chaos in the world, and of my relationship to that chaos. My prints show the world’s constant upsetting of man’s equilibrium, and his eternal battle to reestablish it.
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It is not art in the professionalized sense about which I care, but that which is created sacredly, as a result of a deep inner experience, with all of oneself, and that becomes 'art' in time.
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If you place the imperfect next to the perfect, people will see the difference between the one and the other. But if you offer the imperfect alone, people are only too apt to be satisfied by it.
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The goal of art was the vital expression of self.
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The fight for photography became my life.
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The ability to make a truly artistic photograph is not acquired off-hand, but is the result of an artistic instinct coupled with years of labor.
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I detest tradition for tradition's sake the half-alive that which is not real. I feel no hatred of individuals, but of customs, traditions superstitions that go against life, against truth, against the reality of experience, against the spontaneous living out of the sense of wonder-of fresh experience, freshly seen and communicated.
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The camera was waiting for me by predestination and I took to it as a musician takes to the piano or a painter to canvas. I found that I was master of the elements, that I could work miracles.
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Let me here call attention to one of the most universally popular mistakes that have to do with photography - that of classing supposedly excellent work as professional, and using the term amateur to convey the idea of immature productions and to excuse atrociously poor photographs.
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I do not object to retouching, dodging or accentuation as long as they do not interfere with the natural qualities of photographic technique.
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When I make a picture, I make love.
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Standing up here on the hill away from all humans - seeing these Wonders taking place before one's eyes - so silently... watching the silence of Nature. No school - no church - is as good a teacher as the eye understandingly seeing what's before it. I believe this more firmly than ever.
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A woman artist could be one of those intuitive geniuses [who] have kept their childlike spirit and have added to it breadth of vision and experience.
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Photography as a fad is well-nigh on its last legs, thanks principally to the bicycle craze.
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All I want is to preserve that wonderful something which so purely exists between us.
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I have a vision of life, and I try to find equivalents for it in the form of photographs.
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There is nothing so wrong as accepting a thing merely because men who have done things say it should be so.
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My aim is increasingly to make my photographs look so much like photographs [rather than paintings, etchings, etc.] that unless one has eyes and sees, they won't be seen - and still everyone will never forget having once looked at them.
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