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There are many schools of painting. Why should there not be many schools of photographic art? There is hardly a right and a wrong in these matters, but there is truth, and that should form the basis of all works of art.

Alfred Stieglitz

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Alfred Stieglitz
Age: 81 †
Born: 1864
Born: January 1
Died: 1946
Died: January 1
Exhibition Curator
Photographer
Photography Critic
Publisher
Hoboken
New Jersey
Alfred Steiglitz
Art
Schools
Form
Basis
Truth
Bases
School
Photographer
Matter
Matters
Right
Works
Many
Painting
Photographic
Wrong
Hardly

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All art, like all love, is rooted in heartache.
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A woman artist could be one of those intuitive geniuses [who] have kept their childlike spirit and have added to it breadth of vision and experience.
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My photographs are a picture of the chaos in the world, and of my relationship to that chaos. My prints show the world’s constant upsetting of man’s equilibrium, and his eternal battle to reestablish it.
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Photography my passion, the search for truth, my obsession.
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Beautiful dreams - if the world were more beautiful they would come true - But the world is relentless & cruel - people are - they must be, I suppose, or they could not live.
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Before the people at large, and for that matter, the artists themselves, understand what photography really means, as I understand that term, it is essential for them to be taught the real meaning of art.
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Wherever there is light, one can photograph.
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The arts equally have distinct departments, and unless photography has its own possibilities of expression, separate from those of the other arts, it is merely a process, not an art.
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In photography there is a reality so subtle that it becomes more real than reality.
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I detest tradition for tradition's sake the half-alive that which is not real. I feel no hatred of individuals, but of customs, traditions superstitions that go against life, against truth, against the reality of experience, against the spontaneous living out of the sense of wonder-of fresh experience, freshly seen and communicated.
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I was sad to leave Europe in 1890, after my student days in Germany... But then, once back in New York, I experienced an intense longing for Europe, for its vital tradition of music, theatre, art, craftsmanship... I felt bewildered and lonely. How was I to use myself?
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The ability to make a truly artistic photograph is not acquired off-hand, but is the result of an artistic instinct coupled with years of labor.
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Let me here call attention to one of the most universally popular mistakes that have to do with photography - that of classing supposedly excellent work as professional, and using the term amateur to convey the idea of immature productions and to excuse atrociously poor photographs.
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I have all but killed myself for Photography. My passion for it is greater than ever. It's forty years that I have fought its fight... I am not fighting to make a 'name' for myself. Maybe you have some feeling for what the fight is for. It's a world's fight... All that's born of spirit seems mad in these days of materialism run riot.
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We had many books and pictures... my parents' way of life doubtless left a lasting impression on me. They created an atmosphere in which a certain kind of freedom could exist. This may well account for my seeking a related sense of liberty as I grew up.
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Photographers must learn not to be ashamed to have their photographs look like photographs.
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It is not art in the professionalized sense about which I care, but that which is created sacredly, as a result of a deep inner experience, with all of oneself, and that becomes 'art' in time.
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I do not object to retouching, dodging or accentuation as long as they do not interfere with the natural qualities of photographic technique.
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For that is the power of the camera: seize the familiar and give it new meanings, a special significance by the mark of a personality.
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Utopia is in the moment. Not in some future time, some other place, but in the here and now, or else it is nowhere.
Alfred Stieglitz