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For that is the power of the camera: seize the familiar and give it new meanings, a special significance by the mark of a personality.

Alfred Stieglitz

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Alfred Stieglitz
Age: 81 †
Born: 1864
Born: January 1
Died: 1946
Died: January 1
Exhibition Curator
Photographer
Photography Critic
Publisher
Hoboken
New Jersey
Alfred Steiglitz
Cameras
Familiar
Mark
Personality
Meanings
Special
Seize
Power
Significance
Give
Camera
Giving
Photographer

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All I want is to preserve that wonderful something which so purely exists between us.
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My cloud photographs are equivalents of my most profound life experiences, my basic philosophy of life. All art is an equivalent of the artist’s most profound life experiences.
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I was sad to leave Europe in 1890, after my student days in Germany... But then, once back in New York, I experienced an intense longing for Europe, for its vital tradition of music, theatre, art, craftsmanship... I felt bewildered and lonely. How was I to use myself?
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A work is not art until enough noise has been made about it and someone rich comes along and buys it.
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If you place the imperfect next to the perfect, people will see the difference between the one and the other. But if you offer the imperfect alone, people are only too apt to be satisfied by it.
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Technically perfect, pictorially rotten. (Stieglitz's standard comment on photographs he rejected for publication in The American Amateur Photographer.)
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Several people feel I have photographed God. May be.
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Before the people at large, and for that matter, the artists themselves, understand what photography really means, as I understand that term, it is essential for them to be taught the real meaning of art.
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Snow. White, white, white, soft and clean, and maddening shapes, with the whole world in them.
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When I make a picture, I make love.
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Let me here call attention to one of the most universally popular mistakes that have to do with photography - that of classing supposedly excellent work as professional, and using the term amateur to convey the idea of immature productions and to excuse atrociously poor photographs.
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To demand the portrait that will be a complete portrait of a person is as futile as to demand that a motion picture be condensed into a single still.
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My photographs are a picture of the chaos in the world, and of my relationship to that chaos. My prints show the world’s constant upsetting of man’s equilibrium, and his eternal battle to reestablish it.
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There are many schools of painting. Why should there not be many schools of photographic art? There is hardly a right and a wrong in these matters, but there is truth, and that should form the basis of all works of art.
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The arts equally have distinct departments, and unless photography has its own possibilities of expression, separate from those of the other arts, it is merely a process, not an art.
Alfred Stieglitz
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Wherever there is light, one can photograph.
Alfred Stieglitz
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Utopia is in the moment. Not in some future time, some other place, but in the here and now, or else it is nowhere.
Alfred Stieglitz
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In photography there is a reality so subtle that it becomes more real than reality.
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A woman artist could be one of those intuitive geniuses [who] have kept their childlike spirit and have added to it breadth of vision and experience.
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Photographers must learn not to be ashamed to have their photographs look like photographs.
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