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My photographs are a picture of the chaos in the world, and of my relationship to that chaos. My prints show the world’s constant upsetting of man’s equilibrium, and his eternal battle to reestablish it.

Alfred Stieglitz

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Alfred Stieglitz
Age: 81 †
Born: 1864
Born: January 1
Died: 1946
Died: January 1
Exhibition Curator
Photographer
Photography Critic
Publisher
Hoboken
New Jersey
Alfred Steiglitz
Constant
Equilibrium
Battle
Photographs
Eternal
Print
Relationship
Upset
Show
Photographer
Shows
Chaos
Reestablish
Men
Photograph
Upsetting
World
Picture
Prints

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All art, like all love, is rooted in heartache.
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My cloud photographs are equivalents of my most profound life experiences, my basic philosophy of life. All art is an equivalent of the artist’s most profound life experiences.
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Technically perfect, pictorially rotten. (Stieglitz's standard comment on photographs he rejected for publication in The American Amateur Photographer.)
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If you place the imperfect next to the perfect, people will see the difference between the one and the other. But if you offer the imperfect alone, people are only too apt to be satisfied by it.
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I was sad to leave Europe in 1890, after my student days in Germany... But then, once back in New York, I experienced an intense longing for Europe, for its vital tradition of music, theatre, art, craftsmanship... I felt bewildered and lonely. How was I to use myself?
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There is nothing so wrong as accepting a thing merely because men who have done things say it should be so.
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The arts equally have distinct departments, and unless photography has its own possibilities of expression, separate from those of the other arts, it is merely a process, not an art.
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I have a vision of life, and I try to find equivalents for it in the form of photographs.
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Snow. White, white, white, soft and clean, and maddening shapes, with the whole world in them.
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The camera was waiting for me by predestination and I took to it as a musician takes to the piano or a painter to canvas. I found that I was master of the elements, that I could work miracles.
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If you can imagine photography in the guise of a woman and you’d ask her what she thought of Stieglitz, she’d say: He always treated me like a gentleman.
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I detest tradition for tradition's sake the half-alive that which is not real. I feel no hatred of individuals, but of customs, traditions superstitions that go against life, against truth, against the reality of experience, against the spontaneous living out of the sense of wonder-of fresh experience, freshly seen and communicated.
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Beautiful dreams - if the world were more beautiful they would come true - But the world is relentless & cruel - people are - they must be, I suppose, or they could not live.
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I do not object to retouching, dodging or accentuation as long as they do not interfere with the natural qualities of photographic technique.
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Everything is relative except relatives, and they are absolute.
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We had many books and pictures... my parents' way of life doubtless left a lasting impression on me. They created an atmosphere in which a certain kind of freedom could exist. This may well account for my seeking a related sense of liberty as I grew up.
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Photography is my passion.
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The goal of art was the vital expression of self.
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Photographers must learn not to be ashamed to have their photographs look like photographs.
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In photography there is a reality so subtle that it becomes more real than reality.
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