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I do not object to retouching, dodging or accentuation as long as they do not interfere with the natural qualities of photographic technique.

Alfred Stieglitz

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Alfred Stieglitz
Age: 81 †
Born: 1864
Born: January 1
Died: 1946
Died: January 1
Exhibition Curator
Photographer
Photography Critic
Publisher
Hoboken
New Jersey
Alfred Steiglitz
Qualities
Technique
Object
Photography
Objects
Retouching
Quality
Dodging
Natural
Photographic
Long
Interfere

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If you place the imperfect next to the perfect, people will see the difference between the one and the other. But if you offer the imperfect alone, people are only too apt to be satisfied by it.
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There is nothing so wrong as accepting a thing merely because men who have done things say it should be so.
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It is not art in the professionalized sense about which I care, but that which is created sacredly, as a result of a deep inner experience, with all of oneself, and that becomes 'art' in time.
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The arts equally have distinct departments, and unless photography has its own possibilities of expression, separate from those of the other arts, it is merely a process, not an art.
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The fight for photography became my life.
Alfred Stieglitz
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Standing up here on the hill away from all humans - seeing these Wonders taking place before one's eyes - so silently... watching the silence of Nature. No school - no church - is as good a teacher as the eye understandingly seeing what's before it. I believe this more firmly than ever.
Alfred Stieglitz
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The camera was waiting for me by predestination and I took to it as a musician takes to the piano or a painter to canvas. I found that I was master of the elements, that I could work miracles.
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The ability to make a truly artistic photograph is not acquired off-hand, but is the result of an artistic instinct coupled with years of labor.
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Beautiful dreams - if the world were more beautiful they would come true - But the world is relentless & cruel - people are - they must be, I suppose, or they could not live.
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If you can imagine photography in the guise of a woman and you’d ask her what she thought of Stieglitz, she’d say: He always treated me like a gentleman.
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I was sad to leave Europe in 1890, after my student days in Germany... But then, once back in New York, I experienced an intense longing for Europe, for its vital tradition of music, theatre, art, craftsmanship... I felt bewildered and lonely. How was I to use myself?
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I have a vision of life, and I try to find equivalents for it in the form of photographs.
Alfred Stieglitz
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My photographs are a picture of the chaos in the world, and of my relationship to that chaos. My prints show the world’s constant upsetting of man’s equilibrium, and his eternal battle to reestablish it.
Alfred Stieglitz
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Snow. White, white, white, soft and clean, and maddening shapes, with the whole world in them.
Alfred Stieglitz
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I am not a painter, nor an artist. Therefore I can see straight, and that may be my undoing.
Alfred Stieglitz
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In photography there is a reality so subtle that it becomes more real than reality.
Alfred Stieglitz
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Let me here call attention to one of the most universally popular mistakes that have to do with photography - that of classing supposedly excellent work as professional, and using the term amateur to convey the idea of immature productions and to excuse atrociously poor photographs.
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The scene fascinated me: a round straw hat the funnel leaning left, the stairway leaning right the white drawbridge, its railings made of chain white suspenders crossed on the back of a man below circular iron machinery a mast that cut into the sky, completing a triangle.
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There are many schools of painting. Why should there not be many schools of photographic art? There is hardly a right and a wrong in these matters, but there is truth, and that should form the basis of all works of art.
Alfred Stieglitz
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Photography as a fad is well-nigh on its last legs, thanks principally to the bicycle craze.
Alfred Stieglitz