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I do not object to retouching, dodging or accentuation as long as they do not interfere with the natural qualities of photographic technique.

Alfred Stieglitz

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Alfred Stieglitz
Age: 81 †
Born: 1864
Born: January 1
Died: 1946
Died: January 1
Exhibition Curator
Photographer
Photography Critic
Publisher
Hoboken
New Jersey
Alfred Steiglitz
Photography
Objects
Retouching
Quality
Dodging
Natural
Photographic
Long
Interfere
Qualities
Technique
Object

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For that is the power of the camera: seize the familiar and give it new meanings, a special significance by the mark of a personality.
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Photography my passion, the search for truth, my obsession.
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When I make a picture, I make love.
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I was sad to leave Europe in 1890, after my student days in Germany... But then, once back in New York, I experienced an intense longing for Europe, for its vital tradition of music, theatre, art, craftsmanship... I felt bewildered and lonely. How was I to use myself?
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All I want is to preserve that wonderful something which so purely exists between us.
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There are many schools of painting. Why should there not be many schools of photographic art? There is hardly a right and a wrong in these matters, but there is truth, and that should form the basis of all works of art.
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If you can imagine photography in the guise of a woman and you’d ask her what she thought of Stieglitz, she’d say: He always treated me like a gentleman.
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All art, like all love, is rooted in heartache.
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Everything is relative except relatives, and they are absolute.
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Let me here call attention to one of the most universally popular mistakes that have to do with photography - that of classing supposedly excellent work as professional, and using the term amateur to convey the idea of immature productions and to excuse atrociously poor photographs.
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Technically perfect, pictorially rotten. (Stieglitz's standard comment on photographs he rejected for publication in The American Amateur Photographer.)
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My ideal is to achieve the ability to produce numberless prints from each negative, prints all significantly alive, yet indistinguishably alike, and to be able to circulate them at a price not higher than that of a popular magazine, or even a daily paper. To gain that ability there has been no choice but to follow the road I have chosen.
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Photography as a fad is well-nigh on its last legs, thanks principally to the bicycle craze.
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Standing up here on the hill away from all humans - seeing these Wonders taking place before one's eyes - so silently... watching the silence of Nature. No school - no church - is as good a teacher as the eye understandingly seeing what's before it. I believe this more firmly than ever.
Alfred Stieglitz
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My picture, Fifth Avenue, Winter is the result of a three hours' stand during a fierce snow-storm on February 22nd 1893, awaiting the proper moment. My patience was duly rewarded. Of course, the result contained an element of chance, as I might have stood there for hours without succeeding in getting the desired pictures.
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Snow. White, white, white, soft and clean, and maddening shapes, with the whole world in them.
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Beautiful dreams - if the world were more beautiful they would come true - But the world is relentless & cruel - people are - they must be, I suppose, or they could not live.
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The arts equally have distinct departments, and unless photography has its own possibilities of expression, separate from those of the other arts, it is merely a process, not an art.
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I have a vision of life, and I try to find equivalents for it in the form of photographs.
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My aim is increasingly to make my photographs look so much like photographs [rather than paintings, etchings, etc.] that unless one has eyes and sees, they won't be seen - and still everyone will never forget having once looked at them.
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