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The fun of directing for me, other than working with the actors, is trying to extract those ideas that you have in your head and make them real.

Alfonso Gomez-Rejon

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Alfonso Gomez-Rejon
Age: 52
Born: 1972
Born: November 6
Actor
Film Director
Film Producer
Television Director
Laredo
Texas
Alfonso Gómez-Rejón
Ideas
Real
Trying
Extract
Make
Directing
Fun
Head
Working
Actors

More quotes by Alfonso Gomez-Rejon

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If someone already knows you from being in the trenches with you on this TV schedules, and then you have a little bit more time, it's a treat for them, as well, because they can give you more.
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Ryan Murphy just gives new people a shot, and it takes a lot of confidence and generosity to do that.
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TV is all new to me because I came from features.
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Horror allowed me to quickly switch gears.
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There are the relationships you make. All of the friends I made in grad school are the closest ones that I have.
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At some point, you have an opportunity to not be a first-time filmmaker anymore. You can embrace the genre and show the world how you can tell stories on a bigger scale.
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It's a great asset to you, on your first film, to bring some people with you from the television world because they understand the speed that you have to work with to get your grand ideas down.
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It becomes an extension of your imagination to make something tangible and concrete.
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I just wanted to make movies, but I never though about, How am I being perceived because of my culture or my skin?
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Musicals and horror films can be very non-verbal and very pure cinema with movement. The camera is justified in being a character. It can really move and tell a story, and literally direct you to look here or there.
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I started in the P.A. world and craft service and storyboard artist, with the eye on the prize of directing. When I was directing second unit on Babel, I ended up casting most of the unknown parts. In these weird circles, I was this guy who found these kids on the streets.
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The Ryan Murphy television world has assistants who have become producers and writers and. If he trusts you and you have a unique way of seeing his world, he nurtures you.
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As a director who loves the camera you learn a lot.
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I've been clawing my way to directing since I was a kid.
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I'm really grateful to Ryan Murphy for so much because he's fearless. He's so confident. He has a very unusual and unique way of seeing the world sometimes, and he's somehow able to translate that into entertainment for the masses, at the right time in pop culture.
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On some kind of unspoken, deep, deep level, I think we [with Ryan Murphy] have an aesthetic that we both understand or connect to. It's not that we see the world in the same way because we have very different points of view, but we're both visual stylists.
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I love visual stylists like Bob Fosse and Vincente Minnelli and Michael Powell & Emeric Pressburger with The Red Shoes and The Tales of Hoffman.
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As a fine artist I was drawn to composition and technique. I would count the cuts.
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I still think that being thrown in a very competitive environment where you really have to see what you are made of - certainly when you come out of nowhere - was good for me.
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To me film school was film history because there weren't a lot of books out there that I had access to.
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