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The fun of directing for me, other than working with the actors, is trying to extract those ideas that you have in your head and make them real.

Alfonso Gomez-Rejon

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Alfonso Gomez-Rejon
Age: 52
Born: 1972
Born: November 6
Actor
Film Director
Film Producer
Television Director
Laredo
Texas
Alfonso Gómez-Rejón
Working
Actors
Ideas
Real
Trying
Extract
Make
Directing
Fun
Head

More quotes by Alfonso Gomez-Rejon

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There are the relationships you make. All of the friends I made in grad school are the closest ones that I have.
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Horror allowed me to quickly switch gears.
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I love visual stylists like Bob Fosse and Vincente Minnelli and Michael Powell & Emeric Pressburger with The Red Shoes and The Tales of Hoffman.
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On some kind of unspoken, deep, deep level, I think we [with Ryan Murphy] have an aesthetic that we both understand or connect to. It's not that we see the world in the same way because we have very different points of view, but we're both visual stylists.
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I started in the P.A. world and craft service and storyboard artist, with the eye on the prize of directing. When I was directing second unit on Babel, I ended up casting most of the unknown parts. In these weird circles, I was this guy who found these kids on the streets.
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I'm really grateful to Ryan Murphy for so much because he's fearless. He's so confident. He has a very unusual and unique way of seeing the world sometimes, and he's somehow able to translate that into entertainment for the masses, at the right time in pop culture.
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If someone already knows you from being in the trenches with you on this TV schedules, and then you have a little bit more time, it's a treat for them, as well, because they can give you more.
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NYU Film School was the way to learn about film, to be exposed to film, to go to repertory houses, to be exposed to New York and see films. I would go to the library and see one, two or three movies a day.
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To me film school was film history because there weren't a lot of books out there that I had access to.
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TV is all new to me because I came from features.
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I don't set out to do something weird, but if you see something a certain way and it's a little left of center, and you can realize it, that's a real thrill.
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I'm a fan of musicals from great masters, and I was able to have an opportunity to express myself in musical numbers with Glee.
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As a director who loves the camera you learn a lot.
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I just wanted to make movies, but I never though about, How am I being perceived because of my culture or my skin?
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If you can make the day, you can do whatever you want.
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I was only driven to be the best and it was very disheartening sometimes that it took me so long to start getting my voice heard. That certainly started with television, but it was never because of where I came from, it was because people saw something in me.
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Being exposed to the Ryan Murphy machine, it is very much a personal extension of him. So, if I can learn from that and tell longer stories that are quite personal, and balance that out with features, then that would be the ultimate dream.
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I've been clawing my way to directing since I was a kid.
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Ryan Murphy just gives new people a shot, and it takes a lot of confidence and generosity to do that.
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Musicals and horror films can be very non-verbal and very pure cinema with movement. The camera is justified in being a character. It can really move and tell a story, and literally direct you to look here or there.
Alfonso Gomez-Rejon