Quote

At some point, you have an opportunity to not be a first-time filmmaker anymore. You can embrace the genre and show the world how you can tell stories on a bigger scale.

Alfonso Gomez-Rejon

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Alfonso Gomez-Rejon
Age: 52
Born: 1972
Born: November 6
Actor
Film Director
Film Producer
Television Director
Laredo
Texas
Alfonso Gómez-Rejón
Time
Point
World
Show
Scale
Opportunity
Filmmaker
Tell
Scales
Shows
Genre
Stories
Anymore
Firsts
Embrace
First
Bigger

More quotes by Alfonso Gomez-Rejon

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There are the relationships you make. All of the friends I made in grad school are the closest ones that I have.
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I started in the P.A. world and craft service and storyboard artist, with the eye on the prize of directing. When I was directing second unit on Babel, I ended up casting most of the unknown parts. In these weird circles, I was this guy who found these kids on the streets.
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Musicals and horror films can be very non-verbal and very pure cinema with movement. The camera is justified in being a character. It can really move and tell a story, and literally direct you to look here or there.
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It's a great asset to you, on your first film, to bring some people with you from the television world because they understand the speed that you have to work with to get your grand ideas down.
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Ryan Murphy just gives new people a shot, and it takes a lot of confidence and generosity to do that.
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I'm a fan of musicals from great masters, and I was able to have an opportunity to express myself in musical numbers with Glee.
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The fun of directing for me, other than working with the actors, is trying to extract those ideas that you have in your head and make them real.
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To me film school was film history because there weren't a lot of books out there that I had access to.
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I still think that being thrown in a very competitive environment where you really have to see what you are made of - certainly when you come out of nowhere - was good for me.
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Horror allowed me to quickly switch gears.
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I was only driven to be the best and it was very disheartening sometimes that it took me so long to start getting my voice heard. That certainly started with television, but it was never because of where I came from, it was because people saw something in me.
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I've been clawing my way to directing since I was a kid.
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NYU Film School was the way to learn about film, to be exposed to film, to go to repertory houses, to be exposed to New York and see films. I would go to the library and see one, two or three movies a day.
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On some kind of unspoken, deep, deep level, I think we [with Ryan Murphy] have an aesthetic that we both understand or connect to. It's not that we see the world in the same way because we have very different points of view, but we're both visual stylists.
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It becomes an extension of your imagination to make something tangible and concrete.
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As a director who loves the camera you learn a lot.
Alfonso Gomez-Rejon
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I just wanted to make movies, but I never though about, How am I being perceived because of my culture or my skin?
Alfonso Gomez-Rejon
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If you can make the day, you can do whatever you want.
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TV is all new to me because I came from features.
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I love visual stylists like Bob Fosse and Vincente Minnelli and Michael Powell & Emeric Pressburger with The Red Shoes and The Tales of Hoffman.
Alfonso Gomez-Rejon