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I'm a fan of musicals from great masters, and I was able to have an opportunity to express myself in musical numbers with Glee.

Alfonso Gomez-Rejon

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Alfonso Gomez-Rejon
Age: 52
Born: 1972
Born: November 6
Actor
Film Director
Film Producer
Television Director
Laredo
Texas
Alfonso Gómez-Rejón
Great
Glee
Express
Musical
Masters
Fans
Numbers
Opportunity
Able
Musicals

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There are the relationships you make. All of the friends I made in grad school are the closest ones that I have.
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I don't set out to do something weird, but if you see something a certain way and it's a little left of center, and you can realize it, that's a real thrill.
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Horror allowed me to quickly switch gears.
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I still think that being thrown in a very competitive environment where you really have to see what you are made of - certainly when you come out of nowhere - was good for me.
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Ryan Murphy just gives new people a shot, and it takes a lot of confidence and generosity to do that.
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I'm really grateful to Ryan Murphy for so much because he's fearless. He's so confident. He has a very unusual and unique way of seeing the world sometimes, and he's somehow able to translate that into entertainment for the masses, at the right time in pop culture.
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To me film school was film history because there weren't a lot of books out there that I had access to.
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As a director who loves the camera you learn a lot.
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NYU Film School was the way to learn about film, to be exposed to film, to go to repertory houses, to be exposed to New York and see films. I would go to the library and see one, two or three movies a day.
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It becomes an extension of your imagination to make something tangible and concrete.
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I love visual stylists like Bob Fosse and Vincente Minnelli and Michael Powell & Emeric Pressburger with The Red Shoes and The Tales of Hoffman.
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On some kind of unspoken, deep, deep level, I think we [with Ryan Murphy] have an aesthetic that we both understand or connect to. It's not that we see the world in the same way because we have very different points of view, but we're both visual stylists.
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If you can make the day, you can do whatever you want.
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If someone already knows you from being in the trenches with you on this TV schedules, and then you have a little bit more time, it's a treat for them, as well, because they can give you more.
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As a fine artist I was drawn to composition and technique. I would count the cuts.
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TV is all new to me because I came from features.
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The fun of directing for me, other than working with the actors, is trying to extract those ideas that you have in your head and make them real.
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Being exposed to the Ryan Murphy machine, it is very much a personal extension of him. So, if I can learn from that and tell longer stories that are quite personal, and balance that out with features, then that would be the ultimate dream.
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Musicals and horror films can be very non-verbal and very pure cinema with movement. The camera is justified in being a character. It can really move and tell a story, and literally direct you to look here or there.
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I've been clawing my way to directing since I was a kid.
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