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Musicals and horror films can be very non-verbal and very pure cinema with movement. The camera is justified in being a character. It can really move and tell a story, and literally direct you to look here or there.
Alfonso Gomez-Rejon
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Alfonso Gomez-Rejon
Age: 52
Born: 1972
Born: November 6
Actor
Film Director
Film Producer
Television Director
Laredo
Texas
Alfonso Gómez-Rejón
Moving
Cameras
Tell
Horror
Film
Films
Musicals
Stories
Direct
Verbal
Character
Pure
Justified
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Move
Literally
Looks
Movement
Cinema
Really
Story
Camera
More quotes by Alfonso Gomez-Rejon
The fun of directing for me, other than working with the actors, is trying to extract those ideas that you have in your head and make them real.
Alfonso Gomez-Rejon
It becomes an extension of your imagination to make something tangible and concrete.
Alfonso Gomez-Rejon
Horror allowed me to quickly switch gears.
Alfonso Gomez-Rejon
The Ryan Murphy television world has assistants who have become producers and writers and. If he trusts you and you have a unique way of seeing his world, he nurtures you.
Alfonso Gomez-Rejon
To me film school was film history because there weren't a lot of books out there that I had access to.
Alfonso Gomez-Rejon
At some point, you have an opportunity to not be a first-time filmmaker anymore. You can embrace the genre and show the world how you can tell stories on a bigger scale.
Alfonso Gomez-Rejon
I don't set out to do something weird, but if you see something a certain way and it's a little left of center, and you can realize it, that's a real thrill.
Alfonso Gomez-Rejon
As a director who loves the camera you learn a lot.
Alfonso Gomez-Rejon
I'm a fan of musicals from great masters, and I was able to have an opportunity to express myself in musical numbers with Glee.
Alfonso Gomez-Rejon
There are the relationships you make. All of the friends I made in grad school are the closest ones that I have.
Alfonso Gomez-Rejon
TV is all new to me because I came from features.
Alfonso Gomez-Rejon
I'm really grateful to Ryan Murphy for so much because he's fearless. He's so confident. He has a very unusual and unique way of seeing the world sometimes, and he's somehow able to translate that into entertainment for the masses, at the right time in pop culture.
Alfonso Gomez-Rejon
I've been clawing my way to directing since I was a kid.
Alfonso Gomez-Rejon
Being exposed to the Ryan Murphy machine, it is very much a personal extension of him. So, if I can learn from that and tell longer stories that are quite personal, and balance that out with features, then that would be the ultimate dream.
Alfonso Gomez-Rejon
As a fine artist I was drawn to composition and technique. I would count the cuts.
Alfonso Gomez-Rejon
I started in the P.A. world and craft service and storyboard artist, with the eye on the prize of directing. When I was directing second unit on Babel, I ended up casting most of the unknown parts. In these weird circles, I was this guy who found these kids on the streets.
Alfonso Gomez-Rejon
On some kind of unspoken, deep, deep level, I think we [with Ryan Murphy] have an aesthetic that we both understand or connect to. It's not that we see the world in the same way because we have very different points of view, but we're both visual stylists.
Alfonso Gomez-Rejon
Ryan Murphy just gives new people a shot, and it takes a lot of confidence and generosity to do that.
Alfonso Gomez-Rejon
I love visual stylists like Bob Fosse and Vincente Minnelli and Michael Powell & Emeric Pressburger with The Red Shoes and The Tales of Hoffman.
Alfonso Gomez-Rejon
It's a great asset to you, on your first film, to bring some people with you from the television world because they understand the speed that you have to work with to get your grand ideas down.
Alfonso Gomez-Rejon
