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Musicals and horror films can be very non-verbal and very pure cinema with movement. The camera is justified in being a character. It can really move and tell a story, and literally direct you to look here or there.
Alfonso Gomez-Rejon
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Alfonso Gomez-Rejon
Age: 52
Born: 1972
Born: November 6
Actor
Film Director
Film Producer
Television Director
Laredo
Texas
Alfonso Gómez-Rejón
Really
Story
Camera
Moving
Cameras
Tell
Horror
Film
Films
Musicals
Stories
Direct
Verbal
Character
Pure
Justified
Look
Move
Literally
Looks
Movement
Cinema
More quotes by Alfonso Gomez-Rejon
I've been clawing my way to directing since I was a kid.
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It's a great asset to you, on your first film, to bring some people with you from the television world because they understand the speed that you have to work with to get your grand ideas down.
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TV is all new to me because I came from features.
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If you can make the day, you can do whatever you want.
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As a fine artist I was drawn to composition and technique. I would count the cuts.
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I started in the P.A. world and craft service and storyboard artist, with the eye on the prize of directing. When I was directing second unit on Babel, I ended up casting most of the unknown parts. In these weird circles, I was this guy who found these kids on the streets.
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NYU Film School was the way to learn about film, to be exposed to film, to go to repertory houses, to be exposed to New York and see films. I would go to the library and see one, two or three movies a day.
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If someone already knows you from being in the trenches with you on this TV schedules, and then you have a little bit more time, it's a treat for them, as well, because they can give you more.
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I was only driven to be the best and it was very disheartening sometimes that it took me so long to start getting my voice heard. That certainly started with television, but it was never because of where I came from, it was because people saw something in me.
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I just wanted to make movies, but I never though about, How am I being perceived because of my culture or my skin?
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At some point, you have an opportunity to not be a first-time filmmaker anymore. You can embrace the genre and show the world how you can tell stories on a bigger scale.
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The Ryan Murphy television world has assistants who have become producers and writers and. If he trusts you and you have a unique way of seeing his world, he nurtures you.
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I'm a fan of musicals from great masters, and I was able to have an opportunity to express myself in musical numbers with Glee.
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Being exposed to the Ryan Murphy machine, it is very much a personal extension of him. So, if I can learn from that and tell longer stories that are quite personal, and balance that out with features, then that would be the ultimate dream.
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It becomes an extension of your imagination to make something tangible and concrete.
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I still think that being thrown in a very competitive environment where you really have to see what you are made of - certainly when you come out of nowhere - was good for me.
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As a director who loves the camera you learn a lot.
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Ryan Murphy just gives new people a shot, and it takes a lot of confidence and generosity to do that.
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Horror allowed me to quickly switch gears.
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