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Musicals and horror films can be very non-verbal and very pure cinema with movement. The camera is justified in being a character. It can really move and tell a story, and literally direct you to look here or there.
Alfonso Gomez-Rejon
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Alfonso Gomez-Rejon
Age: 52
Born: 1972
Born: November 6
Actor
Film Director
Film Producer
Television Director
Laredo
Texas
Alfonso Gómez-Rejón
Looks
Movement
Cinema
Really
Story
Camera
Moving
Cameras
Tell
Horror
Film
Films
Musicals
Stories
Direct
Verbal
Character
Pure
Justified
Look
Move
Literally
More quotes by Alfonso Gomez-Rejon
Ryan Murphy just gives new people a shot, and it takes a lot of confidence and generosity to do that.
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To me film school was film history because there weren't a lot of books out there that I had access to.
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NYU Film School was the way to learn about film, to be exposed to film, to go to repertory houses, to be exposed to New York and see films. I would go to the library and see one, two or three movies a day.
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I still think that being thrown in a very competitive environment where you really have to see what you are made of - certainly when you come out of nowhere - was good for me.
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TV is all new to me because I came from features.
Alfonso Gomez-Rejon
I've been clawing my way to directing since I was a kid.
Alfonso Gomez-Rejon
I was only driven to be the best and it was very disheartening sometimes that it took me so long to start getting my voice heard. That certainly started with television, but it was never because of where I came from, it was because people saw something in me.
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I'm a fan of musicals from great masters, and I was able to have an opportunity to express myself in musical numbers with Glee.
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There are the relationships you make. All of the friends I made in grad school are the closest ones that I have.
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I love visual stylists like Bob Fosse and Vincente Minnelli and Michael Powell & Emeric Pressburger with The Red Shoes and The Tales of Hoffman.
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Horror allowed me to quickly switch gears.
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On some kind of unspoken, deep, deep level, I think we [with Ryan Murphy] have an aesthetic that we both understand or connect to. It's not that we see the world in the same way because we have very different points of view, but we're both visual stylists.
Alfonso Gomez-Rejon
The fun of directing for me, other than working with the actors, is trying to extract those ideas that you have in your head and make them real.
Alfonso Gomez-Rejon
If someone already knows you from being in the trenches with you on this TV schedules, and then you have a little bit more time, it's a treat for them, as well, because they can give you more.
Alfonso Gomez-Rejon
Being exposed to the Ryan Murphy machine, it is very much a personal extension of him. So, if I can learn from that and tell longer stories that are quite personal, and balance that out with features, then that would be the ultimate dream.
Alfonso Gomez-Rejon
It becomes an extension of your imagination to make something tangible and concrete.
Alfonso Gomez-Rejon
As a director who loves the camera you learn a lot.
Alfonso Gomez-Rejon
The Ryan Murphy television world has assistants who have become producers and writers and. If he trusts you and you have a unique way of seeing his world, he nurtures you.
Alfonso Gomez-Rejon
I started in the P.A. world and craft service and storyboard artist, with the eye on the prize of directing. When I was directing second unit on Babel, I ended up casting most of the unknown parts. In these weird circles, I was this guy who found these kids on the streets.
Alfonso Gomez-Rejon
As a fine artist I was drawn to composition and technique. I would count the cuts.
Alfonso Gomez-Rejon
