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I was only driven to be the best and it was very disheartening sometimes that it took me so long to start getting my voice heard. That certainly started with television, but it was never because of where I came from, it was because people saw something in me.

Alfonso Gomez-Rejon

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Alfonso Gomez-Rejon
Age: 52
Born: 1972
Born: November 6
Actor
Film Director
Film Producer
Television Director
Laredo
Texas
Alfonso Gómez-Rejón
Something
Heard
Never
Came
Disheartening
People
Start
Driven
Getting
Certainly
Voice
Saws
Best
Took
Sometimes
Started
Long
Television

More quotes by Alfonso Gomez-Rejon

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If you can make the day, you can do whatever you want.
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The Ryan Murphy television world has assistants who have become producers and writers and. If he trusts you and you have a unique way of seeing his world, he nurtures you.
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As a fine artist I was drawn to composition and technique. I would count the cuts.
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At some point, you have an opportunity to not be a first-time filmmaker anymore. You can embrace the genre and show the world how you can tell stories on a bigger scale.
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I've been clawing my way to directing since I was a kid.
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The fun of directing for me, other than working with the actors, is trying to extract those ideas that you have in your head and make them real.
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If someone already knows you from being in the trenches with you on this TV schedules, and then you have a little bit more time, it's a treat for them, as well, because they can give you more.
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On some kind of unspoken, deep, deep level, I think we [with Ryan Murphy] have an aesthetic that we both understand or connect to. It's not that we see the world in the same way because we have very different points of view, but we're both visual stylists.
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TV is all new to me because I came from features.
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I love visual stylists like Bob Fosse and Vincente Minnelli and Michael Powell & Emeric Pressburger with The Red Shoes and The Tales of Hoffman.
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I just wanted to make movies, but I never though about, How am I being perceived because of my culture or my skin?
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It becomes an extension of your imagination to make something tangible and concrete.
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NYU Film School was the way to learn about film, to be exposed to film, to go to repertory houses, to be exposed to New York and see films. I would go to the library and see one, two or three movies a day.
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To me film school was film history because there weren't a lot of books out there that I had access to.
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There are the relationships you make. All of the friends I made in grad school are the closest ones that I have.
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I'm a fan of musicals from great masters, and I was able to have an opportunity to express myself in musical numbers with Glee.
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Being exposed to the Ryan Murphy machine, it is very much a personal extension of him. So, if I can learn from that and tell longer stories that are quite personal, and balance that out with features, then that would be the ultimate dream.
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Musicals and horror films can be very non-verbal and very pure cinema with movement. The camera is justified in being a character. It can really move and tell a story, and literally direct you to look here or there.
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Horror allowed me to quickly switch gears.
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I still think that being thrown in a very competitive environment where you really have to see what you are made of - certainly when you come out of nowhere - was good for me.
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