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I just wanted to make movies, but I never though about, How am I being perceived because of my culture or my skin?
Alfonso Gomez-Rejon
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Alfonso Gomez-Rejon
Age: 52
Born: 1972
Born: November 6
Actor
Film Director
Film Producer
Television Director
Laredo
Texas
Alfonso Gómez-Rejón
Wanted
Make
Never
Perceived
Skin
Skins
Movies
Though
Culture
More quotes by Alfonso Gomez-Rejon
I still think that being thrown in a very competitive environment where you really have to see what you are made of - certainly when you come out of nowhere - was good for me.
Alfonso Gomez-Rejon
To me film school was film history because there weren't a lot of books out there that I had access to.
Alfonso Gomez-Rejon
It becomes an extension of your imagination to make something tangible and concrete.
Alfonso Gomez-Rejon
I'm a fan of musicals from great masters, and I was able to have an opportunity to express myself in musical numbers with Glee.
Alfonso Gomez-Rejon
NYU Film School was the way to learn about film, to be exposed to film, to go to repertory houses, to be exposed to New York and see films. I would go to the library and see one, two or three movies a day.
Alfonso Gomez-Rejon
TV is all new to me because I came from features.
Alfonso Gomez-Rejon
It's a great asset to you, on your first film, to bring some people with you from the television world because they understand the speed that you have to work with to get your grand ideas down.
Alfonso Gomez-Rejon
Horror allowed me to quickly switch gears.
Alfonso Gomez-Rejon
The Ryan Murphy television world has assistants who have become producers and writers and. If he trusts you and you have a unique way of seeing his world, he nurtures you.
Alfonso Gomez-Rejon
At some point, you have an opportunity to not be a first-time filmmaker anymore. You can embrace the genre and show the world how you can tell stories on a bigger scale.
Alfonso Gomez-Rejon
Ryan Murphy just gives new people a shot, and it takes a lot of confidence and generosity to do that.
Alfonso Gomez-Rejon
Being exposed to the Ryan Murphy machine, it is very much a personal extension of him. So, if I can learn from that and tell longer stories that are quite personal, and balance that out with features, then that would be the ultimate dream.
Alfonso Gomez-Rejon
Musicals and horror films can be very non-verbal and very pure cinema with movement. The camera is justified in being a character. It can really move and tell a story, and literally direct you to look here or there.
Alfonso Gomez-Rejon
I was only driven to be the best and it was very disheartening sometimes that it took me so long to start getting my voice heard. That certainly started with television, but it was never because of where I came from, it was because people saw something in me.
Alfonso Gomez-Rejon
I'm really grateful to Ryan Murphy for so much because he's fearless. He's so confident. He has a very unusual and unique way of seeing the world sometimes, and he's somehow able to translate that into entertainment for the masses, at the right time in pop culture.
Alfonso Gomez-Rejon
As a director who loves the camera you learn a lot.
Alfonso Gomez-Rejon
On some kind of unspoken, deep, deep level, I think we [with Ryan Murphy] have an aesthetic that we both understand or connect to. It's not that we see the world in the same way because we have very different points of view, but we're both visual stylists.
Alfonso Gomez-Rejon
I love visual stylists like Bob Fosse and Vincente Minnelli and Michael Powell & Emeric Pressburger with The Red Shoes and The Tales of Hoffman.
Alfonso Gomez-Rejon
I started in the P.A. world and craft service and storyboard artist, with the eye on the prize of directing. When I was directing second unit on Babel, I ended up casting most of the unknown parts. In these weird circles, I was this guy who found these kids on the streets.
Alfonso Gomez-Rejon
I've been clawing my way to directing since I was a kid.
Alfonso Gomez-Rejon
