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I still think that being thrown in a very competitive environment where you really have to see what you are made of - certainly when you come out of nowhere - was good for me.

Alfonso Gomez-Rejon

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Alfonso Gomez-Rejon
Age: 51
Born: 1972
Born: November 6
Actor
Film Director
Film Producer
Television Director
Laredo
Texas
Alfonso Gómez-Rejón
Thinking
Environment
Stills
Still
Come
Made
Competitive
Really
Nowhere
Good
Thrown
Think
Certainly

More quotes by Alfonso Gomez-Rejon

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To me film school was film history because there weren't a lot of books out there that I had access to.
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I was only driven to be the best and it was very disheartening sometimes that it took me so long to start getting my voice heard. That certainly started with television, but it was never because of where I came from, it was because people saw something in me.
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I'm a fan of musicals from great masters, and I was able to have an opportunity to express myself in musical numbers with Glee.
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I started in the P.A. world and craft service and storyboard artist, with the eye on the prize of directing. When I was directing second unit on Babel, I ended up casting most of the unknown parts. In these weird circles, I was this guy who found these kids on the streets.
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NYU Film School was the way to learn about film, to be exposed to film, to go to repertory houses, to be exposed to New York and see films. I would go to the library and see one, two or three movies a day.
Alfonso Gomez-Rejon
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It becomes an extension of your imagination to make something tangible and concrete.
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I don't set out to do something weird, but if you see something a certain way and it's a little left of center, and you can realize it, that's a real thrill.
Alfonso Gomez-Rejon
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I just wanted to make movies, but I never though about, How am I being perceived because of my culture or my skin?
Alfonso Gomez-Rejon
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If someone already knows you from being in the trenches with you on this TV schedules, and then you have a little bit more time, it's a treat for them, as well, because they can give you more.
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Ryan Murphy just gives new people a shot, and it takes a lot of confidence and generosity to do that.
Alfonso Gomez-Rejon
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At some point, you have an opportunity to not be a first-time filmmaker anymore. You can embrace the genre and show the world how you can tell stories on a bigger scale.
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As a director who loves the camera you learn a lot.
Alfonso Gomez-Rejon
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I love visual stylists like Bob Fosse and Vincente Minnelli and Michael Powell & Emeric Pressburger with The Red Shoes and The Tales of Hoffman.
Alfonso Gomez-Rejon
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TV is all new to me because I came from features.
Alfonso Gomez-Rejon
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Horror allowed me to quickly switch gears.
Alfonso Gomez-Rejon
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I've been clawing my way to directing since I was a kid.
Alfonso Gomez-Rejon
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On some kind of unspoken, deep, deep level, I think we [with Ryan Murphy] have an aesthetic that we both understand or connect to. It's not that we see the world in the same way because we have very different points of view, but we're both visual stylists.
Alfonso Gomez-Rejon
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Being exposed to the Ryan Murphy machine, it is very much a personal extension of him. So, if I can learn from that and tell longer stories that are quite personal, and balance that out with features, then that would be the ultimate dream.
Alfonso Gomez-Rejon
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The Ryan Murphy television world has assistants who have become producers and writers and. If he trusts you and you have a unique way of seeing his world, he nurtures you.
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If you can make the day, you can do whatever you want.
Alfonso Gomez-Rejon