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I find it very stupid that teenagers could only see caricatures of teenagers but they couldn't see films that you try to be a truthful context, a truthful portrayal of teenagers.

Alfonso Cuaron

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Alfonso Cuaron
Age: 54
Cinematographer
Director
Film Director
Film Editor
Film Producer
Filmmaker
Screenwriter
Television Actor
Television Director
Mexico City
Mexico
Alfonso Cuaron
Alfonso Cuarón Orozco
Alfonso Cuaron Orozco
Film
Caricatures
Find
Teenagers
Trying
Truthful
Context
Teenager
Films
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Portrayal

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As a director, you're only as good as your collaborators. You surround with collaborators that are going to understand what you're trying to do. Not only that, they're going to push and fight for what you're trying to do.
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I have my misgivings about 3-D. I don't like the lack of blacks and whites, how it dulls the image, how the color gets corrupted. I don't necessarily like the experience of having heavy glasses in front of me.
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When I learned to switch jealousy for admiration, it unblocked a lot of things.
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No 'rules.' What are you, British or something? I guess I'm too nice... No wonder people take advantage of me.
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The great thing about the moon landing is that my grandmother got the first color TV in order to be able to see the moon landing that was in black and white.
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The amazing thing is that the more money it takes for a movie to get made, the more you feel like everybody wants you to fail.
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The two real leads in 'Children of Men' are Clive Owen and the social environment. You know, this same movie without the social environment maybe is just like a generic chase movie.
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Y Tu Mama Tambien' is one of the first unrated movies to be nominated for an Academy Award for Best Original Screenplay. But many video stores won't take a movie that's not rated, so I had to make the movie an R.
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I learned there's an amazing unexplored territory in terms of narrative. Before, I thought the unexplored territory was the form, the way you shoot a movie. Now, I'm learning about the beautiful marriage between form and narrative.
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There is a certain thing that you have to just stick to the plan, stick to what you want to do, and you try to work with studios and executives that they get it.
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What's the point of being an Australian guy traveling through India if you are going to go to India to meet other Australians?
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I used to be very controlling with visuals and editing, and I would pretty much craft the performances now I have learned to trust the material and the actors.
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I was not aware of how much I loved 'Canoa' until I saw it after doing 'Y Tu Mama Tambien' and realized that my voice - over about the story's historical context - that narrator - came from 'Canoa'.
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Story is important but the most important is the theme and how you're going to convey theme cinematically. I'm a believer also.
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I have to confess that I don't read much of what is written about me.
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I have to say, 'Gravity' is better in 3-D, even though in 2-D the quality of the picture is better. But the 3-D is better.
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Technology is technology. Technology doesn't have a, it is not good or bad. Technologies are tools.
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I have my set rigged with the biggest sound system possible and have a mini jack for my iPod attached to my director's chair. I find playing music is a very direct way to communicate with actors and the crew, especially those crew members who are on the periphery of the set. I like dancing on set too, it's a good way to release tension.
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A lot of the films I like are more than fantasies - they're movies fascinated by the technology of space exploration, and they try to honor the laws of physics. I watched the Gregory Peck movie 'Marooned' over and over when I was a kid.
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I produce the way I would love to be produced: In ways to create the best conditions to make your movie, but also to create a space in which the director calls the shots.
Alfonso Cuaron