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The two real leads in 'Children of Men' are Clive Owen and the social environment. You know, this same movie without the social environment maybe is just like a generic chase movie.

Alfonso Cuaron

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Alfonso Cuaron
Age: 54
Cinematographer
Director
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Mexico City
Mexico
Alfonso Cuaron
Alfonso Cuarón Orozco
Alfonso Cuaron Orozco
Maybe
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I think it's always important to give immediate positive reinforcement.
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I have to confess that I don't read much of what is written about me.
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I'm interested in new worlds, new universes, new challenges. I always said the only reason to make a film is not for the result but for what you learn for the next one.
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It's a cliche, but Americans are puritanical. In their movies, they are scared of sex, but they overindulge in violence. I could have cut a G-rated version of 'Y Tu Mama Tambien' that would have pleased the American ratings board, but it would have been five minutes long.
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I was not aware of how much I loved 'Canoa' until I saw it after doing 'Y Tu Mama Tambien' and realized that my voice - over about the story's historical context - that narrator - came from 'Canoa'.
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Style is just an impression. Style itself is hollow. Style, its ok style as long as it is part of a language. Style for style itself is just something very hollow.
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The only reason you make a movie is not to make or set out to do a good or a bad movie, it's just to see what you learn for the next one.
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I have this thing that, once I finish a movie, I never see it again.
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You can write a whole fiction, and you're talking to people who have gone through that, in real life. But the truth of it is that when you're talking to those people, you don't care about your movie anymore. You just want to hear about what they have gone through. You want all of the details. It's amazing.
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Historically, there is a fight between the sound designer and the composer. You see them in the mixing room and they're always fighting because the composer wants the music to be heard and the sound designer wants the sound to be heard.
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I really believe there is the possibility of something great that can happen in the right hands.
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When you strip hope from people, it leaves a void, and that void needs to be filled. And very likely, that void is going to be filled by an ideology... Hope and faith are so connected. Now, when ideology connects with faith, the ideology becomes an item of faith, not a point of discussion.
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I find it very stupid that teenagers could only see caricatures of teenagers but they couldn't see films that you try to be a truthful context, a truthful portrayal of teenagers.
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As a kid, I wanted to be an astronaut. And my own passion was that I wanted to be a film director. I realized that being an astronaut was not going to be an option, so I said, Well, I'm going to be a director and do films in space.
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I love that process in which there is no safety net. Then the actor also can allow mistakes, because there's no such a thing as a mistake. You're working with good actors, that thing that starts as a mistake becomes actually the life of what is going to follow in the scene. I find that it is fantastic, and for me it is easier than for the actors.
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Every film is difficult. Making films, you're always going to have problems, there's always going to be challenges.
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