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I used to be very controlling with visuals and editing, and I would pretty much craft the performances now I have learned to trust the material and the actors.

Alfonso Cuaron

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Alfonso Cuaron
Age: 54
Cinematographer
Director
Film Director
Film Editor
Film Producer
Filmmaker
Screenwriter
Television Actor
Television Director
Mexico City
Mexico
Alfonso Cuaron
Alfonso Cuarón Orozco
Alfonso Cuaron Orozco
Materials
Trust
Controlling
Learned
Editing
Pretty
Craft
Actors
Visuals
Used
Crafts
Much
Performances
Would
Material

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I guess I have a short attention span! I'm interested in new worlds, new universes, new challenges.
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I produce the way I would love to be produced: In ways to create the best conditions to make your movie, but also to create a space in which the director calls the shots.
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A lot of the films I like are more than fantasies - they're movies fascinated by the technology of space exploration, and they try to honor the laws of physics. I watched the Gregory Peck movie 'Marooned' over and over when I was a kid.
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When I finish a movie, I don’t ever see the movie again. The moment I finish the color correction and the mix, I never seen any of my movies ever again. I just try to explore what I can learn from the experience and move on.
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I'm interested in new worlds, new universes, new challenges. I always said the only reason to make a film is not for the result but for what you learn for the next one.
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We're born first humans then after they stamp our passport.
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The great thing about the moon landing is that my grandmother got the first color TV in order to be able to see the moon landing that was in black and white.
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No 'rules.' What are you, British or something? I guess I'm too nice... No wonder people take advantage of me.
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I have to confess that I don't read much of what is written about me.
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I think it's always important to give immediate positive reinforcement.
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What's the point of being an Australian guy traveling through India if you are going to go to India to meet other Australians?
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I love that process in which there is no safety net. Then the actor also can allow mistakes, because there's no such a thing as a mistake. You're working with good actors, that thing that starts as a mistake becomes actually the life of what is going to follow in the scene. I find that it is fantastic, and for me it is easier than for the actors.
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As a director, you're only as good as your collaborators. You surround with collaborators that are going to understand what you're trying to do. Not only that, they're going to push and fight for what you're trying to do.
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I left Mexico for artistic survival. If I had stayed, I would have been forced by the government, who control the movie business, to direct TV shows or commercials or infomercials for the government.
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My mom, she was, she studied chemistry. And later on she changed and majored, she changed later in her career, in her life and studied philosophy and then she did a perfect clash, connection between chemistry and philosophy and she became a witch.
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Learn from your experience shooting your film, and then move on to the next.
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I have my set rigged with the biggest sound system possible and have a mini jack for my iPod attached to my director's chair. I find playing music is a very direct way to communicate with actors and the crew, especially those crew members who are on the periphery of the set. I like dancing on set too, it's a good way to release tension.
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When I learned to switch jealousy for admiration, it unblocked a lot of things.
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I really believe there is the possibility of something great that can happen in the right hands.
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You have to be very focused about the music that you have inside.
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