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I used to be very controlling with visuals and editing, and I would pretty much craft the performances now I have learned to trust the material and the actors.

Alfonso Cuaron

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Alfonso Cuaron
Age: 54
Cinematographer
Director
Film Director
Film Editor
Film Producer
Filmmaker
Screenwriter
Television Actor
Television Director
Mexico City
Mexico
Alfonso Cuaron
Alfonso Cuarón Orozco
Alfonso Cuaron Orozco
Would
Material
Materials
Trust
Controlling
Learned
Editing
Pretty
Craft
Actors
Visuals
Used
Crafts
Much
Performances

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What's the point of being an Australian guy traveling through India if you are going to go to India to meet other Australians?
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I was not aware of how much I loved 'Canoa' until I saw it after doing 'Y Tu Mama Tambien' and realized that my voice - over about the story's historical context - that narrator - came from 'Canoa'.
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You have to be very focused about the music that you have inside.
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I guess I have a short attention span! I'm interested in new worlds, new universes, new challenges.
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Y Tu Mama Tambien' is one of the first unrated movies to be nominated for an Academy Award for Best Original Screenplay. But many video stores won't take a movie that's not rated, so I had to make the movie an R.
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I'm interested in new worlds, new universes, new challenges. I always said the only reason to make a film is not for the result but for what you learn for the next one.
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I left Mexico for artistic survival. If I had stayed, I would have been forced by the government, who control the movie business, to direct TV shows or commercials or infomercials for the government.
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A lot of the films I like are more than fantasies - they're movies fascinated by the technology of space exploration, and they try to honor the laws of physics. I watched the Gregory Peck movie 'Marooned' over and over when I was a kid.
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I have this thing that, once I finish a movie, I never see it again.
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I think it is something that is so important, to be very aware of the direction in which the 21st century is going with all this blind faith in democracy. And by the way, I am not against democracy - I am against the blind faith that is being put in democracy.
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As a director, you're only as good as your collaborators. You surround with collaborators that are going to understand what you're trying to do. Not only that, they're going to push and fight for what you're trying to do.
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When I finish a movie, I don’t ever see the movie again. The moment I finish the color correction and the mix, I never seen any of my movies ever again. I just try to explore what I can learn from the experience and move on.
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I have my set rigged with the biggest sound system possible and have a mini jack for my iPod attached to my director's chair. I find playing music is a very direct way to communicate with actors and the crew, especially those crew members who are on the periphery of the set. I like dancing on set too, it's a good way to release tension.
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As a kid, I wanted to be an astronaut. And my own passion was that I wanted to be a film director. I realized that being an astronaut was not going to be an option, so I said, Well, I'm going to be a director and do films in space.
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I produce the way I would love to be produced: In ways to create the best conditions to make your movie, but also to create a space in which the director calls the shots.
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The amazing thing is that the more money it takes for a movie to get made, the more you feel like everybody wants you to fail.
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When you work with kids, people tell you to be very delicate, but that's the last thing you should do with kids. They feel patronized if you're like that. They just want you to be normal.
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When I learned to switch jealousy for admiration, it unblocked a lot of things.
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Cautionary tales were fantastic in the '70s.
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Story is important but the most important is the theme and how you're going to convey theme cinematically. I'm a believer also.
Alfonso Cuaron