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I have to say, 'Gravity' is better in 3-D, even though in 2-D the quality of the picture is better. But the 3-D is better.

Alfonso Cuaron

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Alfonso Cuaron
Age: 54
Cinematographer
Director
Film Director
Film Editor
Film Producer
Filmmaker
Screenwriter
Television Actor
Television Director
Mexico City
Mexico
Alfonso Cuaron
Alfonso Cuarón Orozco
Alfonso Cuaron Orozco
Gravity
Picture
Quality
Though
Better
Even

More quotes by Alfonso Cuaron

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I really believe there is the possibility of something great that can happen in the right hands.
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As a director, you're only as good as your collaborators. You surround with collaborators that are going to understand what you're trying to do. Not only that, they're going to push and fight for what you're trying to do.
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Learn from your experience shooting your film, and then move on to the next.
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My mom, she was, she studied chemistry. And later on she changed and majored, she changed later in her career, in her life and studied philosophy and then she did a perfect clash, connection between chemistry and philosophy and she became a witch.
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When I learned to switch jealousy for admiration, it unblocked a lot of things.
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I have this thing that, once I finish a movie, I never see it again.
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The amazing thing is that the more money it takes for a movie to get made, the more you feel like everybody wants you to fail.
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Every film is difficult. Making films, you're always going to have problems, there's always going to be challenges.
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I was not aware of how much I loved 'Canoa' until I saw it after doing 'Y Tu Mama Tambien' and realized that my voice - over about the story's historical context - that narrator - came from 'Canoa'.
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Story is important but the most important is the theme and how you're going to convey theme cinematically. I'm a believer also.
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The great thing about the moon landing is that my grandmother got the first color TV in order to be able to see the moon landing that was in black and white.
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The two real leads in 'Children of Men' are Clive Owen and the social environment. You know, this same movie without the social environment maybe is just like a generic chase movie.
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I produce the way I would love to be produced: In ways to create the best conditions to make your movie, but also to create a space in which the director calls the shots.
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I love that process in which there is no safety net. Then the actor also can allow mistakes, because there's no such a thing as a mistake. You're working with good actors, that thing that starts as a mistake becomes actually the life of what is going to follow in the scene. I find that it is fantastic, and for me it is easier than for the actors.
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I love L.A. I always have such a great time in L.A. The way I kind of define me and L.A. is the noise of the factory doesn't let me sleep well.
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No 'rules.' What are you, British or something? I guess I'm too nice... No wonder people take advantage of me.
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You can write a whole fiction, and you're talking to people who have gone through that, in real life. But the truth of it is that when you're talking to those people, you don't care about your movie anymore. You just want to hear about what they have gone through. You want all of the details. It's amazing.
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When you strip hope from people, it leaves a void, and that void needs to be filled. And very likely, that void is going to be filled by an ideology... Hope and faith are so connected. Now, when ideology connects with faith, the ideology becomes an item of faith, not a point of discussion.
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We're born first humans then after they stamp our passport.
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Historically, there is a fight between the sound designer and the composer. You see them in the mixing room and they're always fighting because the composer wants the music to be heard and the sound designer wants the sound to be heard.
Alfonso Cuaron